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The Role of Agency and Memory in Historical Understanding
This book, the first in a series entitled Historical and Pedagogical Issues: Insights from the Great Lakes History Conference, addresses historical and pedagogical issues. It explores the agency of historical actors tied to larger movements, demonstrating the efficacy and power of individuals to act with historical impact. It also describes the nuanced role of memory, often neglected in larger national or global social movements. This volume explores these powerful themes through a broad range of topics, including the research and pedagogy of revolution, reform, and rebellion as they are applied to race, ethnicity, political movements, labour, reconciliation, memory, and moral responsibility. The book will interest researchers that have an interest in both, or either, history and pedagogy.
How Jews Became Germans
A “very readable” history of Jewish conversions to Christianity over two centuries that “tracks the many fascinating twists and turns to this story” (Library Journal). When the Nazis came to power and created a racial state in the 1930s, they considered it an urgent priority to identify Jews who had converted to Christianity over the preceding centuries. With the help of church officials, a vast system of conversion and intermarriage records was created in Berlin, the country’s premier Jewish city. Deborah Hertz’s discovery of these records, the Judenkartei, was the first step on a long research journey that led to this compelling book. Hertz begins the book in 1645, when the rec...
Janáček's Works
This is the fullest catalogue in any language of the works of the great Czech composer Leo%s Jan %cek. The entry for each work includes detailed information on date of composition, source of texts, performing forces, duration, manuscript locations, publication, performances and production, dedication, and literature. The catalogue also includes a complete annotated edition of the composer's writings.
Plant Physiological Ecology
capable of providing at least a relative measure of stomatal aperture were first used shortly thereafter (Darwin and Pertz, 1911). The Carnegie Institution of Washington's Desert Research Laboratory in Tucson from 1905 to 1927 was the first effort by plant physiologists and ecologists to conduct team research on the water relations of desert plants. Measurements by Stocker in the North African deserts and Indonesia (Stocker, 1928, 1935) and by Lundegardh (1922) in forest understories were pioneering attempts to understand the environmental controls on photosynthesis in the field. While these early physiological ecologists were keen observers and often posed hypotheses still relevant today th...
Meyerbeer’s Robert le Diable
Robert le Diable by Giacomo Meyerbeer is regarded as a musical milestone, a definitive statement in the 19th-century development of French grand opéra from the tragédie lyrique of Lully, Rameau, Gluck and Spontini. The libretto by Eugène Scribe and Germain Delavigne was derived from the medieval legend of “Robert the Devil”. First performed on 21 November 1831 at the Paris Opéra, the work brought Meyerbeer international celebrity. Robert le Diable remains a legend in the annals of opera. The fascinating story reveals a complex imagery and symbolism that touches on the deepest intuitions of human experience and personal development, and exercises an archetypal unconscious appeal akin ...
Josephine's Composer
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Meyerbeer Studies
"In 1936 Meyerbeer's opera Les Huguenots achieved its 1,120[superscript th] performance at the Paris Opera. This extraordinary record is an indication of the vast fame and influence of its composer who was once a household name, like Verdi or Puccini. Now he is unknown to the ordinary opera lover. These essays represent something of an odyssey to seek out and know the shadowy figure behind so much divided opinion and long neglect. They represent attempts, at various stages over thirty years, to find Meyerbeer and enter the world of his remarkable operatic creations that once so characterized the musical life of European civilization."--Jacket.
Gabriel Faure
First published in 2011, this research study includes a biography section as well as the works of Gabriel Urbain Fauré born on 12 May 1845. Much of Fauré’s music, especially the late pieces, remain little played and little known—as a result, his reputation as a salon composer of pleasant music continues even among educated musicians. The author suggests that it is more likely that the difficulty of much of Fauré’s music for the listener and the demands it places upon him or her are the principal reasons for its omission from concert programs and for a misunderstanding of Fauré’s place in the history of French music
