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One afternoon, in an old house in an abandoned village on the outskirts of Perimeter, in the place they call Pacifica, Bramah and the beggar boy find fragments of an ancient text in an oak box. Hunched over scraps of parchment and broken computer disks, they blow the dust off a cover, and so our story begins. Steeped in the tradition of fairy tales, The Heart of This Journey Bears All Patterns (THOT J BAP) features a world in which a small band of resisters and survivors meet heartbreak and destruction with rhymes and resourceful skills such as soap and glass making, and a belief in the supernatural. Many things happen—some good, but most bad—including five eco-catastrophes and a viral bio-contagion. Shapeshifting in and out of it all is the nimble Bramah, a female locksmith, part human, part goddess—brown, brave and beautiful. Ten years in the making and described as “truly ambitious” by Stephen Collis, this work by award-winning poet Renée Sarojini Saklikar spans continents and centuries. Bramah and the Beggar Boy is the first instalment of the multi-part series.
children of air india is a series of elegiac sequences exploring the nature of individual loss, situated within public trauma. The work is animated by a proposition: that violence, both personal and collective, produces continuing sonar, an echolocation that finds us, even when we choose to be unaware or indifferent. This collection breaks new ground in its approach to the saga that is Canada/Air India, an event and its aftermath that is both over-reported and under-represented in our national psyche. 329 deaths. 82 Children. Canada's worst mass murder. The accused acquitted. What does it mean to be Canadian and lose someone in Air India Flight 182? Why does 9/11 resonate more strongly with Canadians than June 23, 1985? The poems in this book search out answers in the "everything/ness and nothing/ness" of an act and its aftermath, revealing a voice that re-defines and re-visions. Air India never happened. Air India always happens.
Listening to the Bees is a collaborative exploration by two writers to illuminate the most profound human questions: Who are we? Who do we want to be in the world? Through the distinct but complementary lenses of science and poetry, Mark Winston and Renée Saklikar reflect on the tension of being an individual living in a society, and about the devastation wrought by overly intensive management of agricultural and urban habitats. Listening to the Bees takes readers into the laboratory and out to the field, into the worlds of scientists and beekeepers, and to meetings where the research community intersects with government policy and business. The result is an insiders’ view of the way research is conducted—its brilliant potential and its flaws—along with the personal insights and remarkable personalities experienced over a forty-year career that parallels the rise of industrial agriculture.
Being among bees is a full-body experience, Mark Winston writes—from the low hum of tens of thousands of insects and the pungent smell of honey and beeswax, to the sight of workers flying back and forth between flowers and the hive. The experience of an apiary slows our sense of time, heightens our awareness, and inspires awe. Bee Time presents Winston’s reflections on three decades spent studying these creatures, and on the lessons they can teach about how humans might better interact with one another and the natural world. Like us, honeybees represent a pinnacle of animal sociality. How they submerge individual needs into the colony collective provides a lens through which to ponder hu...
Finalist for the City of Vancouver Book AwardThe Revolving City: 51 Poems and the Stories Behind Them is a vibrant and diverse collection from a who's who of the west coast poetry scene.The poems assembled here range from the lyric to the experimental and address the theme of disconnection in an urban environment from a variety of positions, concerns, and cultural perspectives. The collection also includes short reflections on the poems, written by the poets themselves, providing readers with an intimate insight into the inspiration and meaning behind the poems.The Revolving City anthology evolved out of the Lunch Poems reading series, a stimulating exchange of poetic ideas and cadence held ...
On June 23, 1985, the bombing of Air India Flight 182 killed 329 people, most of them Canadians. Today this pivotal event in Canada's history is hazily remembered, yet certain interests have shaped how the tragedy is woven into public memory, and even exploited to advance a strategic national narrative. Remembering Air India insists that we "remember Air India otherwise." This collection investigates the Air India bombing and its implications for current debates about racism, terrorism, and citizenship. Drawing together academic analysis, testimony, visual arts, and creative writing, this innovative volume tenders a new public record of the bombing, one that shows how important creative responses are for deepening our understanding of the event and its aftermath. Contributions by: Cassel Busse, Chandrima Chakraborty, Amber Dean, Rita Kaur Dhamoon, Angela Failler, Teresa Hubel, Suvir Kaul, Elan Marchinko, Eisha Marjara, Bharati Mukherjee, Lata Pada, Uma Parameswaran, Sherene H. Razack, Renée Sarojini Saklikar, Maya Seshia, Karen Sharma, Deon Venter, Padma Viswanathan
The ambitious second instalment of Renée Sarojini Saklikar’s epic fantasy saga in verse, The Heart of This Journey Bears All Patterns (THOT J BAP). This book-length poem features the time-travelling demigoddess Bramah, a locksmith and the saga’s hero. In Bramah’s Quest, the year is 2087 and Bramah is back on a planet Earth ravaged by climate change and global inequality. Bramah is on a quest to find her people, including the little boy Raphael, last seen at the end of Bramah and the Beggar Boy (2021). Hailed as “brilliant and masterful, timely” (Kerry Gilbert), this long poem reclaims poetry forms such as blank verse, the sonnet, the ballad and the madrigal. Each page is a portal,...
Crossing the punctum. The Tiny People: How to Use Your Book -- Editorial: A Letter to the Sisters of Society -- Mixed Bowling -- Simcoe Days -- Amber Alert -- Moving Images -- Cease n Desist: From the Desk of Viola Desmond -- Veronica?
In the decade since the publication of the first edition of In Fine Form, there has been a resurgence of poets writing in "form" - in sonnets and ghazals, triolets and ballads, villanelles and palindromes -- and formal poetry has become more visible in books, literary journals and classrooms. The first edition of this anthology was called "groundbreaking," "a paradigm shift" and "a landmark text." Since then, it has gone through several printings and been widely used in classrooms at all levels from elementary school to university, by writers who want to try something new, and by readers eager to explore a whole other side of poetry. In Fine Form Second Edition, is an anthology that continues to break new ground, a thrilling collection of more than 25 forms and 180 poems arranged by section, one for each form, with a brief introduction to the form's history and variations. An extended essay explores common poetic terms and technical devices. Surprising and exhilarating, here is a showcase for some of the best poetry this country has produced.
In 2007, at the age of sixty, Betsy Warland finds herself single and without a sense of family. On an impulse, she decides to travel to London to celebrate her birthday, where she experiences an odd compulsion to see an exhibit on the invention of military camouflage. Within the first five minutes of her visit, her lifelong feeling of being aberrant reveals its source: she had never learned the art of camouflage. This marked the beginning of OSCAR OF BETWEEN: A MEMOIR OF IDENTITY AND IDEAS. Taking the name Oscar, she embarks on an intimate, nine-year quest by telling her story as "a person of between." As Oscar, she is able to make sense of her self and the culture that shaped her. She trace...