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This study challenges the conventional view of R�tif de la Bretonne as a chronicler of eighteenth-century France and notorious exponent of 'la litt�rature galante', to provide both students and scholars with a fresh analysis focusing on two themes -- autobiography and utopianism -- which feature prominently in his writing. It suggests that each is the product of similar impulses, reflecting common polarities between public and private, self and others, past and future.In tracing R�tif's persistent but frustrated attempts to reconcile the conflicting elements of the world he inhabits -- rural and urban, old and new, stable and changing -- this volume analyses the failure of his utopian dream of a well-ordered and harmonious society. By exploring his absorption in the autobiographical project, and in particular Monsieur Nicolas ou le coeur humain d�voil�, it offers an interpretation of his work as a sustained reflection on selfhood and on the power of memory which enables R�tif to create, within the confines of the text, a utopian space where self and world are reconciled, and time and space no longer count.
Bad Books reconstructs how the eighteenth-century French author Nicolas-Edme R tif de la Bretonne and his writings were at the forefront of the development of modern conceptions of sexuality and pornography. Although certain details are well known (for example, that R tif's 1769 treatise on prostitution, Le Pornographe, is the work from which the term pornography is derived, or that he was an avid foot and shoe fetishist), much of this story has been obscured and even forgotten including how the author actively worked to define the category of obscenity and the modern pornographic genre, and how he coined the psycho-sexual term "fetish" and played a central role in the formation of theories ...
Restif de la Bretonne (1734–1806) was perhaps the key author amongst a glut of imitators inspired by the publication of the Marquis de Sade’s “obscene” masterworks Juliette and Justine in the late 18th century. In 1798 Restif wrote his ultra-erotic epic The Anti-Justine (or The Joys of EroS), thus inaugurating a long tradition of “Sadean literature” that continues to this day. The Anti-Justine is a vivid and extreme novelization of Restif’s own life and sexual debauches, which the author tried to defend “morally” by declaring his book to be an “antidote” to the supposed poison of de Sade; yet whilst the book opens with a spurious warning to women against cruelty, it soon develops into a monumental odyssey of sexual depravity which often rivals de Sade in its relentless explicitness. This new edition of THE ANTI-JUSTINE has been freshly translated by Meredith Head (translator of de Sade’s Philosophy In The Boudoir), and contains an introductory essay by de Sade’s biographer Dr Iwan Bloch.
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"This book investigates urban nightlife transformations and the challenge of enhancing the sense of belonging in sensitive areas like local communities and historical sites and offers new insights into controlling the chaotic intervention of traditional or digital technology, whether from citizens themselves or local authorities"--
From the book: "Paris was fond of stormy weather and emerging toads; the thirst for knowledge was supreme, and the first to read and reread the news were the first to render it with criticism. Authors and readers, great and small, all shared the impression that they were caught between truth and falsehood, and moreover that the 'probable-improbable' they relished so much was being manipulated by the complex strategies of the court, the police and the petty hordes of the evil-minded. We cannot understand the curiosity of the Parisian public without realizing that they did at least know one thing: the extent they were being made fools of." The eighteenth century was awash with rumor and talk. ...
No city has attracted so much literary talent, launched so many illustrious careers, or produced such a wealth of enduring literature as Paris. From the 15th century through the 20th, poets, novelists, and playwrights, famed for both their work an...