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The Book of the Night
In a fantasy world, tenth century Ireland and twentieth century Ireland co-exist uneasily.
God's Ear
The long-awaited reissue of the Jewish Book of the Year Award-winning novel of a young man who turns his back on his Jewish faith
Call Me Ishtar
From the award-winning author of God’s Ear: A “wildly funny, achingly spiritual, profoundly Jewish and feminist” satire of religion and gender politics (The New York Times Book Review). Call Me Ishtar is the outrageous manifesto of a goddess determined to right the wrongs of the three-thousand-year-old patriarchy. She is Ishtar: Mother Goddess, Queen of Heaven, Angel of Death, and Whore of Babylon, and, returning to earth in this most recent incarnation, suburban housewife and sexual subversive. Gallivanting through upstate New York, Ishtar breaks into a Hostess factory to taint its products, catapults a rock band to stardom via satanic rituals, and rises from the coffin at her own funeral—all to overthrow the worship of phallic gods and resume her former glory in this “bouncy, tongue-in-cheek mythmash of The White Goddess and The Feminine Mystique” (Kirkus Reviews). “[Lerman’s] is a unique voice—wildly funny, achingly spiritual, profoundly Jewish and feminist at the same time.” —The New York Times Book Review
Women and Miracle Stories
This book contains a multidisciplinary collection of studies on women in miracle stories found in texts ranging from religious classics to contemporary literary fiction. Miracle stories are a genre of great importance for the study of women's religious inheritance and for the historical and cultural understanding of women as 'makers of faith'. Miracle stories are very generally speaking more open to popular religion and culture than, for instance, doctrinal and official ecclesiastical texts, and as such, they can be of special interest to the study of women's lives and religious aspirations. Remarkably, up till now this genre has not been looked at from this point of view. This book aims to ...
The Girl That He Marries
The novel that Gloria Steinem called “the feminist Jekyll-and-Hyde of our time―and we recognize the monster in ourselves while we’re laughing.” Outrageous and outrageously funny, The Girl That He Marries is the story of Stephanie―nearly thirty and still single, a bright and attractive young woman with an unerring instinct for unmarriageable men and a nagging fear she’s going to grow old alone. Enter Richard: urbane, ambitious, and eminently marriageable. The adored son of an adoring mother, Richard has been adroitly manipulating people all his life. He’s especially adroit at the game of love. Before she knows it, Stephanie is hooked on Richard. But before Richard knows it, Stephanie has figured out the rules―and very soon is beating him at his own artful game. In the process, she twists herself into the girl he would marry―and becomes a very different woman. The trouble is, as Stephanie finds out too late, when you play the mating game, you risk getting stuck with the prize. “[A] hilarious romance a la Kafka.” —The New York Times Book Review
In the Company of Newfies
A personal, literary account of a year in the life of Newfoundland's dogs with emphasis on human/dog bonding.
Pulling Our Own Strings
Collects political cartoons, comic strips, humorous essays and songs that satirize male chauvinism and society's stereotypes of women.
Ecofeminism and Rhetoric
By drawing on the complex interplay of ecology and feminism, ecofeminists identify links between the domination of nature and the oppression of women. This volume introduces a variety of innovative approaches for advancing ecofeminist activism, demonstrating how words exert power in the world. Contributors explore the interconnections between the dualisms of nature/culture and masculine/feminine, providing new insights into sex and technology through such wide-ranging topics as canine reproduction, orangutan motherhood and energy conservation. Ecofeminist rhetorics of care address environmental problems through cooperation and partnership, rather than hierarchical subordination, encouraging forms of communication that value mutual understanding over persuasion and control. By critically examining ways that theory can help deconstruct domineering practices—exposing the underlying ideologies—a new generation of ecofeminist scholarship illuminates the transformative capacity of language to foster emancipation and liberation.
Solimeos
Fleeing post-World War II Germany, an aristocratic young man and his Nazi officer father are spirited away to the Brazilian jungle to help create a new, occult-obsessed, German Reich…but love, ambition, and vengeance interfere. In the waning days of World War II, fourteen-year-old Axel, his family, and their servants are cold and hungry in Pappendorf Castle. Baron Dietrich von Pappendorf, Axel’s father, is away, having spent much of the war traveling the world in search of an ancient, pre-Babel language that his occult-obsessed, Nazi masters believed would solidify Aryans as the master race. But when the baron returns to the family castle, it’s not in triumph. Axel and his family must ...
The Character of Truth
Can the novel survive in an age when tales of historical figures and contemporary personalities dominate the reading lists of the book-buying public? Naomi Jacobs addresses this question in a study of writers such as William Styron, E. L. Doctorow, and Robert Coover, who challenge the dominance of nonfiction by populating their fictions with real people, living and dead. Jacobs explores the genesis, varieties, and implications of this trend in a prose as lively as that of the writers she critiques. Using as a case study Robert Coover’s portrait of Richard Nixon in The Public Burning, Jacobs addresses the important legal and ethical questions raised by this trend and applies contemporary libel law to the fictionalization of living people, such as Richard Nixon. She closes her study by speculating on the future of this device and of the novel.
