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The Impact of the Edwardian Castles in Wales publishes the proceedings of a conference held in 2007, a year that marked the seventh centenary of the death of King Edward I, which set out to review recent scholarship on castles that he built in north Wales after two wars, in 1277 and 1282-83 and a Welsh uprising in 1294-95, and to rethink the effect that their building had upon Wales in the past, present and future. Building upon the seminal work of Arnold Taylor, whose study of the buildings and documentary evidence has been pivotal to Edwardian castle studies for more than fifty years, the volume includes papers which call into question the role of Master James of St George as the architect...
The Edwardian castles of north Wales were built by a Savoyard master mason, but also by many other artisans from Savoy. What is more extraordinary, is that the constables of Flint, Rhuddlan, Conwy and Harlech were also Savoyards, the Justiciar and Deputy Justiciar at Caernarfon were Savoyards and the head of the English army leading the relief of the sieges of Flint and Rhuddlan was a future Count of Savoy. The explanatory story is fundamentally of two men, the builder of castles, Master James of St George and Justiciar Sir Othon de Grandson, and the relationship of these two men with King Edward I. But it is also the story of many others, a story that begins with the marriage of Alianor de ...
Essays on aspects of iconography as manifested in the material culture of medieval England. Professor Jane Hawkes has devoted her career to the study of medieval stone, exploring its iconographies, symbolic significances and scholarly contexts, and shedding light on the obscure and understudied sculpted stone monuments of Anglo-Saxon England. This volume builds on her scholarly interests, offering new engagements with medieval culture and the current scholarly methodologies that shape the discipline. The contributors approach several significantobjects and texts from the early and later Middle Ages, working across several disciplinary backgrounds and periods, largely focusing on the Insular ...
A wave of internal conquest, settlement and economic growth took place in Europe during the High Middle Ages, which transformed it from a world of small separate communities into a network of powerful kingdoms with distinctive cultures. In this vivid and provocative book Robert Bartlett vividly shows how Europe was itself a product of colonization, as much as it was later a colonizer, and what this did to shape the continent and the world today.
This book collects and republishes 14 key academic works by Dai Morgan Evans FSA (1944–2017). Spanning early medieval studies, the management and conservation of ancient monuments, histories of antiquarianism, and the Welsh church of Llangar, the chapters have been freshly edited and published together for the first time with new illustrations.
A study of the mysterious stone carvings of naked females exposing their genitals on medieval churches all over the British Isles.
Bringing together the work of scholars from disparate fields of enquiry, this volume provides a timely and stimulating exploration of the themes of transmission and translation, charting developments, adaptations and exchanges – textual, visual, material and conceptual – that reverberated across the medieval world, within wide-ranging temporal and geographical contexts. Such transactions generated a multiplicity of fusions expressed in diverse and often startling ways – architecturally, textually and through peoples’ lived experiences – that informed attitudes of selfhood and ‘otherness’, senses of belonging and ownership, and concepts of regionality, that have been further embraced in modern and contemporary arenas of political and cultural discourse. Contributors are Tarren Andrews, Edel Bhreathnach, Cher Casey, Katherine Cross, Amanda Doviak, Elisa Foster, Matthias Friedrich, Jane Hawkes, Megan Henvey, Aideen Ireland, Alison Killilea, Ross McIntire, Lesley Milner, John Mitchell, Nino Simonishvili, and Rachael Vause.
Hono sapiens, homo pugnans, and so it has been since the beginning of recorded history. In the Middle Ages, especially, armed conflict and the military life were so much a part of the political and cultural development that a general account of this period is, in large measure, a description of how men went to war.
The medieval outlaws of Britain maintain a hold on the present-day imagination, judging by their presence in literature and on film. Exploring the nature of both historical and fictional outlaws, these twelve critical essays survey the literary, historical, and cultural environments that produced them, namely the medieval and early modern periods. Divided into three parts, the text examines the historical records of real outlawed men and women and the representation of Jews in medieval Britain as possible outlaws, outlaws associated specifically with Wales, and the popular figure of Robin Hood and the context of the late medieval poems and plays that feature him as a prominent figure.