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Catalogue of 132 theatrical figures, including 54 examples of Staffordshire pottery.
Penetrating, sometimes controversial insights into her genius, commenting on her choice of repertory, and speculating about the reasons behind the concert cancellations that brought her so much publicity. The book also features a discography, a complete list of Callas's performances, and 31 photographs, many previously unknown. With enthusiasm and vitality, Michael Scott has brilliantly captured Callas's life and artistic milieu in a fascinating exploration of one of.
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The 200 images in this book have been selected from the extensive archive of the National Monuments Record of Wales. They take us inside the houses of Wales from prehistory to the modern day. From the simple interiors of the humblest cottages and urban terraces through to the elaborately decorated rooms of the great country houses, they provide a rare glimpse behind closed doors and give a unique insight into the ways people have lived their day-to-day lives in Wales.
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The Oxford Handbook of the Georgian Theatre 1737-1832 provides a comprehensive guide to theatre of the Georgian era across the range of dramatic forms.
Mae'r gyfrol ddwyieithog hon yn cynnwys darluniau lliw gydag enghreifftiau o bob rhan o Gymru, yn ogystal â ffotograffau o grefftwyr a beirdd. Adroddir hanes y cadeiriau yn eu cyd-destun hanesyddol a diwylliannol o'r cofnod cyntaf hyd heddiw. Ar gael oddi wrth Saer Books, 31-33 Stryd y Bont, Cydweli, Sir Gaerfyrddin SA17 4UU. Ffôn: 01554 890328. E-bost: info@welshfurniture.com -- Cyngor Llyfrau Cymru
Over the course of his legendary career, which spanned eight decades, Gielgud reached a vast and varied audience, as attested by his status as one of only ten people to have won all four of America's top entertainment awards - a Academy Award, a Tony, an Emmy, and a Grammy. From his London stage debut in 1921, when he was only seventeen, through such highly successful later-day films as Gandhi, Shine, and Elizabeth, Gielgud never failed to make an indelible impression.