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Eastern Europe
A contemporary analysis of the people, cultures, and society within the regions that make up Eastern Europe. Eastern Europe: An Introduction to the People, Lands, and Culture sheds light on modern-day life in the 16 nations comprising Eastern Europe. Going beyond the history and politics already well documented in other works, this unique three-volume series explores the social and cultural aspects of a region often ignored in books and curricula on Western civilization. The volumes are organized by geographic proximity and commonality in historical development, allowing the countries to be both studied individually and juxtaposed against others in the region. The first volume covers the nor...
Entangled Histories of the Balkans - Volume Four
The present volume is the last in the Entangled Balkans series and marks the end of several years of research guided by the transnational, “entangled history” and histoire croisée approaches. The essays in this volume address theoretical and methodological issues of Balkan or Southeast European regional studies—not only questions of scholarly concepts, definitions, and approaches but also the extra-scholarly, ideological, political, and geopolitical motivations that underpin them. These issues are treated more systematically and by a presentation of their historical evolution in various national traditions and schools. Some of the essays deal with the articulation of certain forms of “Balkan heritage” in relation to the geographical spread and especially the cultural definition of the “Balkan area.” Concepts and definitions of the Balkans are thus complemented by (self-)representations that reflect on their cultural foundations.
Essays in European History
These essays explore various topics in European history ranging from a study of the medieval Abbey of Bury St. Edmunds to an essay on the issue of the restoration of the Kaiser prior to Hitler's assumption of power. Enno Kraeh contributes a personal narrative of philosophical journey through the study of history. Three of the essays address literary and cultural themes dealing with German theatre politics, belle epoque opera, and Polish drama. The volume has strong representation on Austrian history, including essays on diplomacy, the Anschluss, and Austrian anti-Semitism.
Operation Mallory Major from Below
The Allied Operation Mallory Major (northern Italy, July 1944) aimed at the destruction of all bridges across the Po River and its tributaries and at isolating the enemy in the northern Apennine mountains (the Gothic Line). The Allied Air Forces could count on the ground support of the guerrillas from the Great Partisan Pocket (in the Apennines south of Piacenza) and were opposed by the Flak. This army was led by aging German officers and NCOs leading young non-German women and men in Wehrmacht service: the Czech guards (Regierungstruppe), and the Italian, Slovak, Polish and former Soviet gunners (the Wehrmacht had transferred its German young men to front line units). Yet, this improbable Flak force proved to be effective and supported by Luftwaffe aircraft (outnumbered by at least 10 to 1) it faced both a hailstorm of Allied bombs and guerrilla ground attacks. Women played a major role in this campaign. Axis, guerrillas, and Allied intelligence used women to infiltrate the enemy and as auxiliaries, nurses and fighters. Another aspect of this battle was the Hitler-Beneš confrontation, an intelligence-guerrilla war which took place within the ranks of the Regierungstruppe.
Artificial Hells
This searing critique of participatory art—from its development to its political ambitions—is “an essential title for contemporary art history scholars and students as well as anyone who has . . . thought, ‘Now that’s art!’ or ‘That’s art?’” (Library Journal) Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance t...
Cold War Perceptions
This book investigates Romania’s early 1960s change in policy towards the Soviet Union, focusing on two questions in particular: namely, what actually changed and why this change occurred. Drawing from recently declassified archive materials, this book utilises a perceptual approach and a paradigm which argues that post-war Romania allied not against the threat, but with the (perceived) threat – the USSR. Focusing on the proximate causes triggering this policy change, it investigates the emergence of Romania’s opposition to the USSR predominantly through two case studies – the CMEA reform process and the Sino-Soviet dispute. The book focuses on the period between 1960 and 1964, betwe...
Animation Behind the Iron Curtain
Animation Behind the Iron Curtain is a journey of discovery into the world of Soviet era animation from Eastern Bloc countries. From Jerzy Kucia's brutally exquisite Reflections in Poland to the sci-fi adventure of Ott in Space by Estonian puppet master Elbert Tuganov to the endearing Gopo's little man by Ion Popescu-Gopo in Romania, this excursion into Soviet era animation brings to light magnificent art, ruminations on the human condition, and celebrations of innocence and joy. As art reveals the spirit of the times, animation art of Eastern Europe during the Cold War, funded by the Soviet states, allowed artists to create works illuminating to their experiences, hopes, and fears. The poli...
The Paris Peace Conference (1919-1920) and Its Aftermath
This volume offers a number of perspectives on the Paris Peace Conference and its fallout, providing new insights into this crucial point in twentieth-century history from the perspectives of the Great Powers and the small countries struggling for independence, looking at the winners, the losers and the neutral parties. Each chapter offers a detailed examination of a case dating from 1919–1920, or from the aftermath of the Conference. It will be of interest to historians and students of international relations and political science, as well as anyone who wishes to gain a broader perspective on this crucial moment in twentieth-century history.
