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Author of the obscene narrative Story of the Eye and of works of heretical philosophy such as Inner Experience, Georges Bataille (1897-1962) is one of the most powerful and secretly influential French thinkers of the last century. His work is driven by a compulsion to communicate an experience which exceeds the limits of communicative exchange, and also constitutes a sustained focus on the nature of this complusion. After Bataille takes this sense of compulsion as its motive and traces it across different figures in Batailles thought, from an obsession with the thematics and the event of sacrifice, through the exposure of being and of the subject, to the necessary relation to others in friendship and in community. In each of these instances After Bataille is distinctive in staging a series of encounters between Bataille, his contemporaries, and critics and theorists who extend or engage with his legacy. It thus offers a vital account of the place of Bataille in contemporary thought.
5 Years After is a fresh look at the apocalypse genre. A deeper, more intriguing storyline with characters that reach out and grab you. They are defined not by their strengths. Instead, it is their weaknesses and emotions that set them apart. They feel real, they are just like us. "Richard Correll has created a rich and descriptive landscape that will make you believe. " KSPK Radio "....as startling as it is descriptive. 5 Years After does a great job of presenting a future of darkness, contrasted with sprinkles of hope and humanity. Definitely recommend this one." ATZ All Things Zombie
Screenwriter, director, producer and comic book author Joss Whedon is best known for his television series and films featuring villainous vampires, angry gods and even bloggers who wish to rule the world. Within these works is a prevalent yet commonly overlooked theme--the corporate antagonist. This book examines the effects of this corporate culture on the protagonists of Whedon's most famous works (including Buffy, Roseanne, the Avengers, Agents of S.H.I.E.L.D. and Dollhouse) to reveal explicit sociopolitical commentaries on corporate control in the real world.
The great Library Edition of the Works of John Ruskin spans 39 volumes and, over the course of the century, further compilations of his private diaries and letters have appeared: but the most important epistolary relationship of his later years, shared with his Scottish cousin Joan (Agnew Ruskin) Severn, has until now been entirely unpublished. These letters - more than 3,000 of them - have been challenging for Ruskin scholars to draw upon, with their baby-talk, apparent nonsense and unelaborated personal references. Yet they contain important statements of Ruskin's opinions on travel, on fashion, on the ideal arts and crafts home, on effective education and other questions, and Ruskin often used his letters to Severn as a substitute for his personal diary. In this important new edition, Dickinson presents an edited, annotated selection of a correspondence which, until now, has been almost inaccessible to scholars of Ruskin and of the Victorian period.
"Three years spent in France, during the 'Second Empire' of Napoleon III, gave Henry James an early mastery of the French language and its literature. When he settled in Europe, as an adult, it was not in Britain but, briefly yet crucially, in Paris. This study identifies the 'missing link' in the history of James's literary engagement with France, between Balzac, revered throughout his career, and later French writers. It was Second Empire writers who spurred James's own contribution to the novel. While realism courted official displeasure, culminating in the prosecution of Flaubert's Madame Bovary, and closure of the radical Revue de Paris which serialized it, the conservative Revue des Deux Mondes (to which James subscribed) enjoyed imperial approval. James remained indebted to the authors published in its pages - Edmond About, Victor Cherbuliez, and Octave Feuillet - to his close friend Paul Bourget, and to the era's greatest playwright, Alexandre Dumas fils."
In v.1-8 the final number consists of the Commencement annual.
An inventory of works of art produced under the Works Progress Administration, 1933-1943, located in non-Federal depositories, initiated by the Fine Arts Program of GSA.
An incisive and insightful memoir by one of the most beloved icons of nineties television Jaleel White, the actor who portrayed Steve Urkel on the hit sitcom Family Matters. DOES IT BOTHER YOU WHEN PEOPLE STILL CALL YOU URKEL? “This is a question I get all the time and it’s an interesting one—because the question lands differently from different people. Over the years, I’ve trained myself to hear their tone when saying the name or asking the question. If it’s an older grandmother who hasn’t seen me in a while she’ll say, ‘Oh baby, it’s Urkel!’ with genuine enthusiasm, and I’ll greet her with love and give her a hug. At this point in my life, I firmly understand that thi...