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He was a good cop until he ran into a bad one. Then, to save what was left of his family and his sanity, Michael Hogan, Jr., entered the Fed's Witness Protection Program and became Pastor Matthew Hayden. Small town Wilks, Texas, should be the perfect place for him to hide. But his new home is no paradise. It may not even be safe. When the remains of a local woman missing for years are discovered, Matt wants only to comfort his grieving congregation. Then a a parishioner with the same build and coloring as Matt is shot, right in the church. Worried that his own cover has been blown, Matt must find the killers—before they find him. He might be a man of God now, but Matt is still a man. And someone wants this man dead.
En 1979, Jean-François Lyotard a articulé la condition postmoderne, annonçant la fin de la modernité. Mais la modernité nous tient encore et se réinvente dans des nouvelles périodisations. Il nous incombe de reprendre la réflexion sur ce paradigme à la fois historique, culturel et social, et ceci, à partir de notre condition de « puînés » de la modernité. Tel est le programme de réflexion de cet ouvrage collectif qui privilégie une approche interdisciplinaire et internationale.
He was a good cop until he ran into a bad one. Then, to save what was left of his family and his sanity, Michael Hogan, Jr., entered the Fed's Witness Protection Program and became Pastor Matthew Hayden. Small town Wilks, Texas, should be the perfect place for him to hide. But his new home is no paradise. It may not even be safe. When the remains of a local woman missing for years are discovered, Matt wants only to comfort his grieving congregation. Then a a parishioner with the same build and coloring as Matt is shot, right in the church. Worried that his own cover has been blown, Matt must find the killers—before they find him. He might be a man of God now, but Matt is still a man. And someone wants this man dead
The Matopos Hills of Zimbabwe have been occupied by humanity for some 40,000 years. They are the home for a number of shrines, and have become a scene of symbolic, ideological, political and armed conflict between the Shona, Ndebele and Europeans for more than 100 years. Many questions in Matopos history are crucial to the history of Matabeleland as a whole, and some central to the history of Zimbabwe: the right relationship of men and women to the land; the nature of culture; the dynamics of ethnicity; the roots of dissidence and violence; and the historical bases of underdevelopment. North America: Indiana U Press; Zimbabwe: Baobab JOINT WINNER OF THE TREVOR REESE MEMORIAL PRIZE 2001
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The Canadian Handicrafts Guild broadened the definition of art and the artist in Canada. Linking decorative arts with home arts and handicrafts, the Guild consistently showed them together at annual exhibitions at the art gallery in Montreal and formed a permanent collection documenting old and contemporary crafts. The Guild women combined creativity and philanthropy, voluntarism and an entrepreneurial spirit, education and concern with quality, in a movement that provided income and recognition to craftspeople and a craft legacy to Canada. In Good Hands is alive with the interplay between art and social history, and the issues this dialogue raised at the time and those we bring to it now constantly overlap. It deals with noblesse oblige and the era's patronizing attitude to cultural difference, but shows how the Guild consciously fostered an inclusive national feeling by exhibiting and selling crafts of all Canadians on an equal footing. It also draws a much broader perspective of women's roles in shaping our culture than has been the norm in Canadian art history.
Dirty War is the first comprehensive look at the Rhodesia’s top secret use of chemical and biological weapons (CBW) during their long counterinsurgency against native African nationalists. Having declared its independence from Great Britain in 1965, the government—made up of European settlers and their descendants—almost immediately faced a growing threat from native African nationalists. In the midst of this long and terrible conflict, Rhodesia resorted to chemical and biological weapons against an elusive guerrilla adversary. A small team made up of a few scientists and their students at a remote Rhodesian fort to produce lethal agents for use. Cloaked in the strictest secrecy, these...