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Set in Madison, Wisconsin, and New Haven, Connecticut, in the early days of the AIDS epidemic, Mourning Light is a semi-autobiographical love story. Our narrator, Reb (so named by his mother because of her love of the Daphne du Maurier novel Rebecca), is hounded by guilt over the death of his lover, Anthony, which took place on the same day Reb first met the handsome yet enigmatic Eric. Once Reb becomes convinced that Anthony has sent him a cryptic message from beyond the grave, he becomes obsessed with figuring out what it could mean. Told in a series of flashbacks and remembrances, the novel concludes with a whirlwind of revelations that both complicate and resolve Reb's view of his world and his lover.
The essays in this collection are based on papers given at a conference on detective fiction in European culture, held at the University of Exeter in September 1997. The range of topics covered is designed to show not only the presence and variety of narratives of detection across different European countries and their different media (although there is a predictable emphasis on the novel). It also illustrates the fertility of the genre, its openness to a spectrum of readings with different emphases, formal as well as thematic. Approaches to detective fiction have often tended to confine them-selves to ‘symptomatic’ interpretation, where details of the fictional world represented are use...
This volume assembles a wide range of scholars and critical methodologies to suggest multiple interpretations of the vital connection linking literary imagination and the human experience of reality. In varying ways and with varying intent, it speaks to the essential experience of participating in imaginative worlds, offering different accounts of how language signifies in real and imaginary contexts, and why people read and write rival realities. Taking as point of departure Aristotle's definition of poesis, it questions how literature stands in both mimetic and transformative relation to the givens of history, reworking them within the order of imagination and desire. Through historical, l...
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A Companion to Tragedy is an essential resource for anyone interested in exploring the role of tragedy in Western history and culture. Tells the story of the historical development of tragedy from classical Greece to modernity Features 28 essays by renowned scholars from multiple disciplines, including classics, English, drama, anthropology and philosophy Broad in its scope and ambition, it considers interpretations of tragedy through religion, philosophy and history Offers a fresh assessment of Ancient Greek tragedy and demonstrates how the practice of reading tragedy has changed radically in the past two decades
A personal voyage of discovery drawing on musicology, literary theory, Jewish studies, and philosophical phenomenology. As a work of musical theory, or meta-theory, Music's Making draws extensively on work done in philosophy and literary criticism in addition to the scholarship of musicologists and music theorists. Music's Making is divided into two large parts. The first half develops global attitudes toward music: emergence out of self and hearing through (drawing on Kabbalah and other sources), middle-voice (as discussed in philosophical phenomenology), liminal space (as discussed in literary theory), an ethics of intersubjectivity (drawing on Levinas), and character, canon, and metalepti...
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Concentrating on the reader places the entire epistolary exchange in a new light and accentuates the use of the word as an instrument of power and the letter as a tool for domination.
A moving and genre-defying text, written after a great loss, that blurs the boundaries between writing and performance