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Overnight, Delia Keller went from penniless preacher's granddaughter to rich young heiress. She's determined to use her money to find the security she's always lacked. And building herself a new house by Christmas is her first priority. But handsome Jude Tucker is challenging her plans and her heart.... The former Civil War chaplain hasn't felt peace in a very long time, and he has a hard time letting go of his past. But as Jude gets to know the spirited Delia, he longs to show her what true Christmas joy means. In the rugged Texas Hill Country, he'll reach for a miracle to restore his faith...and give Delia his love for all seasons.
An Evil Meal of Evil is a play about greed and its consequences. Set in the traditional African village of 'Ntisong', the play exposes the complexities of unravelling the issue of Death. Sunyin, the young wife of Dohbani epitomizes what is wrong with coerced marriages. A group of blood thirsty vampires popularly known in the village as members of 'Nda Saah' superstitiously kill targeted individuals purposely to enrich themselves. Sunyin, the protagonist in the play suffers from a premature widowhood simply because her father Njukebim forced her into marrying Dohbani. As the play unravels with the culprit of 'Nda Saah' brought to justice, questions still linger about the fate of 'Ntisong'. This play examines the advantages and disadvantages of 'black art' mysticism in Africa.
There is a growing body of literature on what was originally envisioned as a free political association of the French and British Cameroons and its dramatic effects on the 'British Cameroons' community. Anyangwe's new book is an attempt to write the history of the Southern Cameroons from a legal perspective. This authoritative work describes in great detail the story of La Republique du Cameroun's alleged annexation and colonization of the Southern Cameroons following the achievement of its independence, while highlighting the seeming complicity of the United Nations and the British Trusteeship Authority. In the process, Anyangwe unravels a number of myths created by the main actors to justify this injustice and, in the end, makes useful suggestions to reverse the situation and to restore statehood to the Southern Cameroons. The book is rich in archival research and informed by a global perspective. It convincingly shows the uniqueness of the Southern Cameroons case.
Stranger in His Homeland completes the long-awaited trilogy of Linus Asong's fictitious village of Nkokonoko Small Monje, separately treated in The Crown of Thorns and its sequel A Legend of the Dead. However, it leads us back not to events after A Legend of the Dead, but to the crisis that created the passionately exciting The Crown of Thorns. Honest, enthusiastic, arrogant and self-righteous, Antony Nkoaleck, the first graduate of his tribe means well. But his society, entrenched in corruption, sees things differently and therefore judges him according to its own norms. Just one or two errors on Antony's part are enough to cost him his job with the government, the coveted throne of Nkokonoko Small Monje, and finally his life. It is a sad story, strongly reminiscent of Myshkin's fate in Dostoevysky's novel The Idiot, a story in which the Russian novelist vividly shows the inability of any man to bear the burden of moral perfection in an imperfect world.
The extremely irritable and quick-tempered chieftain, Akendong II has 14 children, all girls, and is saddened by the fact that he has no chopchair, a male heir to his throne. Then news comes to him that his favourite wife has given birth to a pair of twins, boys. He is even more angered by the fact that he has two heirs, a source of trouble for his kingdom. To avoid his wrath, his councillors change the story, sending away one of the boys to grow in hiding. Learning of the truth about his birth 15 years afterwards, the prince in hiding returns, kidnaps the palace prince and demands his full share of the kingdom. His will is done, but at a very great cost to the chief's peace of mind and relationship with his people. This is by far the shortest of Asong's novels and the least complicated by comparison. But the conflicts, the hallmarks of his art are still there, so also is his breathtaking suspense.
This intriguing novel chronicles one migrant worker's experiences on a colonial plantation in West Africa. Martin Tebi cannot wait to board a truck to the south where he hopes to become a pioneer at a newly established oil palm plantation. Once he arrives, he realizes that becoming a 'Big man' in a new environment would not be as easy as he had thought. Set in the South West Region of Cameroon near the Bakassi region, this captivating story told in an authentic voice that fuses Pidgin and Standard English would keep readers spellbound as they follow Martin through his many struggles to become the first African manager. The experiences of Martin Tebi would resonate with economically displaced people in any part of the world.
"Beatrice Bime has displayed creativity in story-telling through a narrative technique which tends to be a mixture of the subjective and the objective as well as the inclusion of a whole lot of experiences that are both contemporary and seemingly far removed from myth."-Bole Butake, Professor of African Literature, Yaounde University 1, Cameroon --
Gender, Separatist Politics, and Embodied Nationalism in Cameroon illuminates how issues of ideal womanhood shaped the Anglophone Cameroonian nationalist movement in the first decade of independence in Cameroon, a west-central African country. Drawing upon history, political science, gender studies, and feminist epistemologies, the book examines how formally educated women sought to protect the cultural values and the self-determination of the Anglophone Cameroonian state as Francophone Cameroon prepared to dismantle the federal republic. The book defines and uses the concept of embodied nationalism to illustrate the political importance of women’s everyday behavior—the clothes they wore, the foods they cooked, whether they gossiped, and their deference to their husbands. The result, in this fascinating approach, reveals that West Cameroon, which included English-speaking areas, was a progressive and autonomous nation. The author’s sources include oral interviews and archival records such as women’s newspaper advice columns, Cameroon’s first cooking book, and the first novel published by an Anglophone Cameroonian woman.
Ashuntantang is an extraordinary weaver of words who showcases vivid pictures that compete with 3D simulation. Her greatest asset is her use of the beautiful traditional Cameroonian anchor that evokes folk tales with its moonlight romance and glory. You feel, laugh, weep, shiver, wonder, and hail the triumphant spirit of the persona as it navigates African postcolonial and global experiences with the melancholy of an exile who is purposeful, strategic, and a lot of fun.
"Baimiao, shuanggou, gongbi, xieyi, and mogu. These words define unique Chinese painting techniques or methods, each of which is seized by the artists whose work is shown in the exhibition, Brilliant Strokes: Chinese Paintings from the Mactaggart Art Collection, at the University of Alberta Museums in 2008. These paintings span a period of five hundred years, from the fifteenth century to the twentieth century. "Brilliant Strokes", the book, is a stunning accompaniment to the exhibition: art enthusiasts and readers intrigued by Asian art are invited to tour its luminous pages. It is co-published with University of Alberta Museums." --Book Jacket.