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British Paintings
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St. Paul's
The present St Paul's Cathedral, Christopher Wren's masterpiece, is the fourth religious building to occupy the site. Its location in the heart of the capital reflects its importance in the English church while the photographs of it burning during the Blitz forms one of the most powerful and familiar images of London during recent times. This substantial and richly illustrated study, published to mark the 1,400th anniversary of St Paul's, presents 42 scholarly contributions which approach the cathedral from a range of perspectives. All are supported by photographs, illustrations and plans of the exterior and interior of St Paul's, both past and present. Eight essays discuss the history of St...
Trambles - Guided walks across London between galleries
Fully updated for 2012. Visiting London the temptation is to keep pace with the city itself. Ticking off the sights as you go then on to the next one. This guide aims to take you down to the next level. On trambles or 'art rambles' discover public art and art galleries around each corner. Tried and tested routes behind the landmarks. See more of London, and see more art. Over 100 original black and white photographs. Welcome to London, happy trambling!
At the Temple of Art
"In the hands of an innovative team consisting of Sir Coutts Lindsay, his wife Blanche Lindsay, and two managers, Charles Halle and Joseph Comyns Carr, the gallery developed a reputation as a leading exhibition space for British and Continental artists during the late Victorian period. What factors contributed to its rise to prominence on the London exhibition circuit? How did it maintain that respected place in light of the diversification of showcases during this period?" "Central to this book is a close examination of the paintings which were shown at the gallery during its fourteen-year run, how they were received by the critics, and which movements were represented."--Jacket.
The Prince and the Infanta
On the night of 7th March 1623, the Prince of Wales and the Duke of Buckingham knocked on the door of the British embassy in Madrid. Their unsolicited arrival began one of the most bizarre episodes in British history, as the Protestant heir to the Stuart throne struggled to win the Spanish Infanta as his bride. secure a marriage between the leading Protestant and Catholic royal families and heal Europe's century-old division into warring Christian camps. The effort was a diplomatic disaster. It split political and religious opinion in Britain, alienated much of Italy and Germany, confused the Spaniards (who thought that the English crown was about to convert), and failed to secure a marriage or to resolve the Thirty Years' War. explanation of this pivotal moment and tells a fascinating story of early modern politicking, cultural misunderstanding and religious confusion.
Fashion and Fiction
Relatively few garments survive from before the eighteenth century, and the history of costume in the preceding centuries must therefore rely to a great extent on literary and visual evidence. This book, the first of its kind, examines Stuart England through the mirror of dress. It argues that both artistic and literary sources can be read and decoded for important information on dress and the way it was perceived in a period of immense political, social, and cultural change. Focusing on the rich visual culture of the seventeenth century, including portraits, engravings, fashion plates, and sculpture, and on literary sources--poetry, drama, essays, sermons--the distinguished historian of dress Aileen Ribeiro creates a fascinating account of Stuart dress and how it both reflected and influenced society. Supported by a wealth of illustrative images, she explores such varied themes as court costumes, the masque, the ways in which political and religious ideologies could be expressed in dress, and the importance of London as a fashion center. This beautiful book is an indispensable and authoritative account of what people wore and how it related to Stuart England’s cultural climate.
The Pocket
A New York Times Best Art Book of 2019 “A riveting book . . . few stones are left unturned.”—Roberta Smith’s “Top Art Books of 2019,” The New York Times This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women’s everyday lives—from duchesses and country gentry to prostitutes and washerwomen—and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women’s stories into intimate focus. “What particularly interests Burman and Fennetaux is the way in which women of all classes have historically used these tie-on pockets as a supplementary body part to help them negotiate their way through a world that was not built to suit them.”—Kathryn Hughes, The Guardian “A brilliant book.”—Ulinka Rublack, Times Literary Supplement
