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It looks so easy. Open your eyes, and immediately there is a world of objects in glorious Technicolour. It takes no time or effort - perception just happens. Or does it? As this book discusses, the more that has been discovered about the senses and the brain, the more we know that seeing, hearing, smelling, touching, and tasting depend on incredibly complicated physiology. This book is about the phenomena of perception. It covers the evolution of the sense organs, through to how perception really works and the phenomena of illusions as keys for unlocking secrets of perception.
Richard Gregory was one of the major scientific thinkers of our time. Originally published in 1986, here he presents essays on the rich subject of perception. How we experience colours, shapes, sounds, touches, tickles, tastes and smells is a mysterious and rich inquiry. Wonderful as these sensations are, though, he argues that perception becomes really interesting when we consider how objects are identified and located in space and time as things we interact with, using our intelligence to understand them. Gregory’s essays convey the crucial importance of the major scientists and their achievements in the study of perception; but they also show us how much we can learn from our surroundings, our language, our times, our successes and our failures. Why are we so often fooled, in scientific as well as everyday life?
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The author ranges across the mythology and history of mirrors, their use in art and literature and the sciences of images and light, showing how our experience of mirrors and optical illusions can help to unravel the puzzles that lie in our own confused perceptions.
Why did Newton struggle for thirty years to make gold by alchemy – and then become Master of the Mint? Why do we blush? Why do we have illusions? In this collection of essays, originally published in 1994, Richard Gregory once again delights and tantalizes with tales of his childhood, his family and friends, the famous and the infamous, and weaves them into a rich pattern to illuminate scientific principles and puzzles. If you can put the book down, each essay is complete on its own, but they are united by the magic of human perception. From seeing and hearing to feeling and believing, from the shape of traffic signs to knowledge of quantum mechanics, all our interactions with the outside ...
Collects excerpts from the personal travel journal sketchbooks of forty-three artists, illustrators, and designers.
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The meaning, use, and effects of illusion are discussed from artistic and scientific perspectives
In The Artful Eye a luminous cast of scientists, psychologists, and artists investigate the links between art and science, perception and aesthetics, weaving a tapestry of the intelligent brain behind the artful eye. Packed with colour illustrations and with contributions from, amongst others, Roger Penrose and the late Dame Elizabeth Frink.