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The Aesthetics of Taste: Eating within the Realm of Art
When does eating become art? The Aesthetics of Taste answers this question by exploring the position of taste in contemporary culture and the manner in which taste meanders its way into the realm of art. The argument identifies aesthetic values not only in artistic practices, where they are naturally expected, but also in the spaces of everydayness that seem far removed from the domain of fine arts. As such, it seeks to grasp what artists – who offer aesthetic as well as culinary experiences – actually try to communicate, while also pondering whether a cook can be an artist.
My Stewart and Other Kin of Iredell County, N.C.
James Stewart, born around 1725, came into North Carolina, probably from Virginia. He is the great, great, great, great, great grandfather of the author through her mother. This is a genealogy of her family.
Undermining
“A marvelous slim book [that] weaves . . . ideas, facts, images, and histories into a whole about . . . the ecology of the manmade world.” —Rebecca Solnit In Undermining, the award-winning author, art historian and social critic Lucy R. Lippard delivers “another trademark work” that combines text and full-color images to explore “the intersection of art, the environment, geography and politics” (Kirkus Reviews). Working from her own experience of life in a New Mexico village, and inspired by the gravel pits in the surrounding landscape, Lippard addresses a number of fascinating themes—including fracking, mining, land art, adobe buildings, ruins, Indian land rights, the Old We...
The Abductors
When people are found murdered and others begin to disappear in Sunland, New Mexico, and El Paso, Texas, the FBI calls in John Burton and Sally Martin. People have been disappearing at an alarming rate. No trace of the missing people has been found, no clues are forthcoming, and there are no hints of foul play. They just...disappear. With nothing to go on, John and Sally must find the missing link, the common denominator, even as the numbers grow. Coupled with this, a former member of John’s Special Forces unit, whom John had transferred out of his unit back in Vietnam for conduct unbecoming, must aid them in their search. The man is now the chief of police in Sunland Park. Roger Haskell is not happy to see his former squad leader, and the resentment grows while the two men are forced to work together. As the numbers grow and the dead bodies increase, John and Sally must use all their wits and all their knowledge to stop whoever is responsible.
The Arkansas Lawyer
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Anglo-American Exchange in Postwar Sculpture, 1945–1975
Anglo-American Exchange in Postwar Sculpture, 1945-1975 redresses an important art historical oversight. Histories of American and British sculpture are usually told separately, with artists and their work divided by nationality; yet such boundaries obscure a vibrant exchange of ideas, individuals, and aesthetic influences. In reality, the postwar art world saw dynamic interactions between British and American sculptors, critics, curators, teachers, and institutions. Using works of art as points of departure, this book explores the international movement of people, objects, and ideas, demonstrating the importance of Anglo-American exchange to the history of postwar sculpture.
From Conceptualism to Feminism
"... examines the numbers shows and follows Lippard's trajectory as critic and curator, tracing her growing political engagement and involvement with feminism. Extensive archival material is complemented by a new essay by Cornelia Butler and interviews with Lippard, Seth Siegelaub and exhibiting artists as well as critical responses written at the time by Peter Plagens and Griselda Pollock... also includes an essay by Pip Day analysing artists' initiatives in Argentina as a context for Lipard's emerging political consciousness." --back cover.
