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In almost every military intervention in its history, the US has made cultural mistakes that hindered attainment of its policy goals. From the strategic bombing of Vietnam to the accidental burning of the Koran in Afghanistan, it has blundered around with little consideration of local cultural beliefs and for the long-term effects on the host nation's society. Cultural anthropology--the so-called "handmaiden of colonialism"--has historically served as an intellectual bridge between Western powers and local nationals. What light can it shed on the intersection of the US military and foreign societies today? This book tells the story of anthropologists who worked directly for the military, such as Ursula Graham Bower, the only woman to hold a British combat command during WWII. Each faced challenges including the negative outcomes of exporting Western political models and errors of perception. Ranging from the British colonial era in Africa to the recent wars in Iraq and Afghanistan, Military Anthropology illustrates the conceptual, cultural and practical barriers encountered by military organisations operating in societies vastly different from their own.
The Isle of Faerie is a terrible, glorious, wonderful land. The air is warm, the flowers sweet-smelling… and time no longer means quite what you thought it did. There are broken limbs on the grass, and the rivers want to drown you. Rinaldo Device is stranded in a world where his magic of metal-working means nothing. Without his brother. Without a way home. And the worst secret he’s ever kept is about to come spilling out… Back in London, Flavia and Orlando hurry to put a rescue plan together for Rinaldo and the Gloucester children, but they may already be too late. The Queen of Faerie is out for revenge, and no one can stand in her way. Not even an angry princess, a heartbroken daughter, or a mysterious yellow cat. If you enjoy gaslamp fantasy and faerie Victoriana, you’ll love this third volume in the Sparks & Philtres novella series.
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Explores how filmmakers and screenwriters have used comedy and science fiction to extend the boundaries of the Frankenstein narrative.