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Production Value
Pulp fiction at it's best. To find one dumped corpse is a shock. To discover another a few days later, this time the dismembered body of a beautiful woman with whom you'd been briefly involved, makes you a suspect. Life for screenwriter Nick Slade takes a far more perilous turn when his actress girlfriend, Clarice, decides she'll help Nick clear his name. ... "Now here's how it is," Luan whispered to Clarice. "You're also going to tell me who else you talked to. If you scream, I'll slice off your nose. If I think you're lying to me, I'll cut out your tongue. Nod your head if you understand me." This novel unspools during the seismic shift from celluloid to digital filmmaking, proving once again that nothing in the movie biz, especially the world of independent cinema, is ever what it seems.
Technicolor Movies
Using extensive research and interviews with many of the surviving Technicolor technicians, the history of dye printing and the events leading to its demise are fully covered. (The Beijing Film Laboratory is the only facility currently using the process.) Included are diagrams of how the process worked and an extensive listing of U.S. feature films printed with it.
Killer Tapes and Shattered Screens
Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and represent the symbiosis of platform and spectator. Through case studies and close readings that blend indus...
Sell Your Own Damn Movie!
This is the 3rd volume in Mr. Kaufman's hilarious, how-to series for hard-working self-starters and hard-laughing, cheeky filmmakers. "Sell Your Own Damn Movie!" covers everything you need to do to get your finished film seen by festival-goers, movie-goers, DVD-buyers and web-goers around the world. You will be lead through a primer on the history of film distribution to a discussion of the many ways you can get your film out there, either through a reputable distributor or all on your own. From the realities of distribution, to utilizing the internet to self-distribution, Mr. Kaufman tells you in his habitually lucid and off-the-wall way. Inserts include interviews and pointers from veteran...
The Art of Troma
For over FORTY YEARS, Troma Studios has blazed its own bloody, slime-covered trail, making movies their own damn way! From The Toxic Avenger to The Class Of Nuke ‘Em High to Poultrygeist to Tromeo And Juliet, Lloyd Kaufman never compromised, waving his independent freak-flag freely, and helped jumpstart the careers of luminaries such as James Gunn, Trey Parker, Eli Roth, Oliver Stone and countless others! How, you might ask, did a couple of rebels with almost no cash manage to make a library of a THOUSAND films? You’ll have to pick up this incredible collection to find out, featuring never-before-seen film stills, rare posters, candid interviews, and buckets and buckets and BUCKETS of fake blood…
Lloyd Kaufman
After nearly fifty years of disrupting media, gleefully Rabelaisian uberindie filmmaker Lloyd Kaufman (b. 1945) has been maligned, mocked, and—worst of all—ignored throughout the general course of his wildly eclectic and impactful filmography. As the equally huckster-ish and self-denigrating cofounder and president of Troma Entertainment—responsible for the likes of such schlocky “midnight movie” fare as The Toxic Avenger, Sgt. Kabukiman N.Y.P.D., Surf Nazis Must Die, Class of Nuke ’Em High, Tromeo & Juliet, and, most recently, #ShakespearesShitstorm—Kaufman has indisputably left his slimily viscous fingerprints on moviemaking throughout the past half century. Lloyd Kaufman: In...
The Hollywood Curriculum
"The Hollywood Curriculum is a sophisticated and thoughtful look at the portrayal of teachers in film and television in an exceptionally accessible way. Dalton draws on some of the most relevant and exciting theory to evaluate teacher films and demonstrates a masterful insight into the worlds of education and film studies. This book is a must-read for those interested in exploring the intersection of teaching, curriculum, film/television, and society, and is an outstanding contribution to the literature."-Alan S. Marcus, Associate Professor of Curriculum and Instruction, University of Connecticut; Author of Celluloid Blackboard: Teaching History with Film and Teaching History with Film: Strategies for Secondary Social Studies --Book Jacket.
The Federal Cases
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Education Directory
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