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“The world’s fair beauty set my soul on fire.” In this first study of the full range of Traherne’s poetry Richard Willmott explains his ‘metaphysical’ poetry to all who are attracted by the beauty of his language, but puzzled by his meaning. He offers guidance both for the student of English, uncertain about Traherne’s theological ideas, and the student of theology, put off by seventeenth-century poetic conventions and diction. Using a wealth of quotation, he examines Traherne’s verse alongside that of a variety of his contemporaries, including Andrew Marvell, Lucy Hutchinson, Anne Bradstreet and Edward Taylor. Central to Traherne’s poetry and generous theology is his delig...
Inside The Great Gatsby: The Hidden Subtext is a revolutionary analysis of the famed novel that reveals its important previously unknown literary foundations drawn from classical and modern literature, including the works of Dante, Milton, Conrad, Spengler, Frazer, Weston, Joyce, Eliot, and the King James Bible. Other studies of the novel have focused primarily on its biographical, cultural, or social issues, but none prior to Elmore’s have systematically examined the unrecognized debts Gatsby owes to previous literary works. The ultimate irony is that Gatsby, lauded as one of the greatest novels in the English language, earned its stature based solely on recognition of only a part of its whole—the literal narrative, or surface story—without realization or acknowledgment of its foundational subtext, the hidden layer that links it to the universal library of human experience, most of which remained undetected until the centennial year of the novel’s original publication.