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Buku Ajar Desain Komunikasi visual (DKV) adalah panduan lengkap yang menyajikan konsep-konsep esensial dalam desain komunikasi visual. Dimulai dengan dasar-dasar dan prinsip-prinsip desain, buku ini membimbing pembaca melalui perjalanan evolusi desain visual di era digital. Dari prinsip-prinsip desain hingga tipografi, komposisi, vektor, bitmap, teks, gambar, dan warna, setiap elemen dijelaskan dengan jelas. Lebih dari sekadar teori, buku ini menggabungkan pembelajaran dengan contoh praktis, membantu pembaca memahami dan mengaplikasikan konsep-konsep tersebut dalam desain spesifik seperti logo, infografis, grafis media sosial, kemasan, dan flyer event. Tak hanya fokus pada kreativitas, buku ini juga menyoroti tantangan dan peluang bisnis dalam industri desain komunikasi visual, membuatnya menjadi panduan lengkap bagi para penggiat desain visual yang ingin memperdalam pemahaman dan keterampilan mereka.
Buku "Dasar-Dasar Desain Komunikasi Visual (DKV)" adalah panduan komprehensif bagi para pemula yang ingin memasuki dunia kreatif visual. Melalui pengantar dan konsep dasar, pembaca dipandu dalam memahami definisi dan peran desain komunikasi visual serta sejarah dan perkembangannya. Prinsip-prinsip desain menjadi landasan penting dalam menciptakan karya visual yang efektif. Buku ini mengulas penggunaan teks dan warna untuk menghasilkan pesan yang kuat dan memengaruhi psikologi manusia. Penggunaan gambar dalam desain, desain logo, dan branding visual juga ditampilkan dengan jelas. Pembahasan tentang desain kemasan, desain dalam media digital, dan Environmental Graphic Design turut melengkapi isi buku ini. Tantangan dan isu aktual dalam desain komunikasi visual serta etika dalam dunia desain menjadi aspek penting lainnya. Buku ini menjadi panduan berharga bagi mahasiswa dan profesional seni dan desain untuk menguasai dunia kreatif visual dengan mendalam dan kreatif.
The concept of content delivery (also known as content distribution) is be coming increasingly important due to rapidly growing demands for efficient distribution and fast access of information in the Internet. Content delivery is very broad and comprehensive in that the contents for distribution cover a wide range of types with significantly different characteristics and performance concerns, including HTML documents, images, multimedia streams, database tables, and dynamically generated contents. Moreover, to facilitate ubiqui tous information access, the network architectures and hardware devices also vary widely. They range from broadband wired/fixed networks to bandwid- constrained wire...
The graphic design equivalent to Strunk & White's The Elements of Style This book is simply the most compact and lucid handbook available outlining the basic principles of layout, typography, color usage, and space. Being a creative designer is often about coming up with unique design solutions. Unfortunately, when the basic rules of design are ignored in an effort to be distinctive, design becomes useless. In language, a departure from the rules is only appreciated as great literature if recognition of the rules underlies the text. Graphic design is a "visual language," and brilliance is recognized in designers whose work seems to break all the rules, yet communicates its messages clearly. ...
There are a lot of books out there that show collections of logos. But David Airey’s “Logo Design Love” is something different: it’s a guide for designers (and clients) who want to understand what this mysterious business is all about. Written in reader-friendly, concise language, with a minimum of designer jargon, Airey gives a surprisingly clear explanation of the process, using a wide assortment of real-life examples to support his points. Anyone involved in creating visual identities, or wanting to learn how to go about it, will find this book invaluable. - Tom Geismar, Chermayeff & Geismar In Logo Design Love, Irish graphic designer David Airey brings the best parts of his wildl...
The objective of this article is to understand the evolution of the Indo Valley Civilization, in comparison of other old history civilization flourished in Egypt, Mesopotamia, South Asia and China, and their association with Indo Valley Civilization. To understand the Indus Valley Civilization, we need to examine the evolvement of historical civilization. There are numerous theories and controversies in this subject. In this review, I tried to put together the most acceptable concepts in this difficult subject. The main objective of this article not to innovate new theories of the Indus Valley Civilization, but to re-examine the all available data and write in a concise form for ease of understanding of this controversial subject.
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This core textbook offers a concise, direct and easy-to-use introduction to how semiotics can be employed to understand culture. It adopts a practical and versatile approach to cultural analysis, beginning not with an abstract body of theory but with a number of examples of social sign use which are examined critically using basic semiotic terms and concepts to build up the reader's analytic vocabulary in a practical way. This book is designed to be read in several ways. First of all, it offers a structured approach to its subject with successive chapters reconsidering and building upon issues raised in earlier chapters. The layout of the text supports alternative pathways through the material, however. Written principally with the undergraduate student reader in mind, this is the essential research tool for students and lecturers. It is the ideal international starting-point for a very wide range of courses both in cultural and media studies and related subjects such as film studies, literature and sociology.
Some things you just can't say, even to your parents. "Dad, did you ever want to be a mermaid?" Nope. Don't say it. Not if you're a boy. You gotta keep it inside. Maybe thirteen-year-old Todd Winslow is the best diver at summer camp. If only diving could save him. Underwater is a much kinder world, a secret mermaid world that no one else can know about - not Dad, and definitely not Brad, the camp's numero uno bad boy. Todd tries to fit in, playing nice with flirty model-wannabe Sylvie and shunning nature-nerd Olivia - but you can only fool people for so long. Brad is watching every move, ready to expose all that's different about Todd. Then there's the doll thing. And Dad finds out. How will...