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The Art of Found Objects
In this first book of interviews with visual artists from across Texas, more than sixty artists reflect on topics from formative influences and inspirations to their common engagement with found materials. Beyond the art itself, no source is more primary to understanding art and artist than the artist’s own words. After all, who can speak with more authority about the artist’s influences, motivations, methods, philosophies, and creations? Since 2010, Robert Craig Bunch has interviewed sixty-four of Texas’ finest artists, who have responded with honesty, clarity, and—naturally—great insight into their own work. None of these interviews has been previously published, even in part. Incorporating a striking, full-color illustration of each artist’s work, these absorbing self-examinations will stand collectively as a reference of lasting value.
The Art of Dreams, Visions, Other Worlds
Robert Craig Bunch has interviewed sixty current Texas artists, focusing on painters, printmakers, sculptors, and others whose work, broadly speaking, is inspired by dreams, visions, myths, and imagined worlds. Working in the tradition of predecessors such as Bror Utter, Ben Culwell, Maudee Carron, Kelly Fearing, Jim Harter, Valton Tyler, Harry Geffert, and even more distant antecedents such as Hieronymus Bosch, Hildegard of Bingen, and the prehistoric rock artists of the Lower Pecos, these artists are united by the common theme of taking inspiration from an "inner landscape" that includes elements of the fantastic, the mystical, and the surreal. In his introduction to the interviews, Bunch ...
Bringing the Arts into the Library
Using a library’s facilities to bring arts to the community is not only a valuable service, but also a wonderful marketing and outreach opportunity, a tangible way to show the public that libraries offer value, thus shoring up grassroots support. Editor Smallwood has combed the country finding examples of programs implemented by a variety of different types of libraries to enrich, educate, and entertain patrons through the arts. Her book shares such successful efforts as Poetry programs in the public library Gatherings for local authors at the community college Creative writing in middle schools Multicultural arts presentations at the university library Initiatives to fight illiteracy through the arts The amazing creativity and resourcefulness found in each example provide practical models which can be adapted to any library environment, inspiring librarians looking for unique programming ideas.
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Purchasing an Encyclopedia
Now completely updated and expanded, this invaluable sourcebook makes little-known wilderness sites of California accessible to the outdoor enthusiast. It provides detailed information about more than 200 natural areas. Sites are listed alphabetically within nine zones. Each entry includes location and directions, physical descriptions, wildlife, flora, recreation, and resources. Index. Bibliography.
Witness to War
Witness to War presents a compelling visual record of a young American man’s venture in Mexico as the country veered into revolution in the early 1900s. Walter Elias Hadsell, a skilled photographer who had recently graduated as a mining engineer, documented a critical period of foreign investment in Mexico’s mining industry and, in the process, captured scenes of Mexican life in other cities. Susan Toomey Frost draws from an extensive collection of Hadsell’s original photographic prints to narrate his ten years in Mexico. The images in Witness to War follow him from his time as a mining engineer in Mexico to his 1917 return to mining in Arizona, his home state. Planning for a future ca...
Library Literature
"An index to library and information science".
A Book Maker's Art
A significant collection of Texas paintings and prints hangs humbly and inconspicuously throughout the offices, conference rooms, and hallways of Texas A&M University Press. These works comprise the Frank H. Wardlaw Collection of Texas Art, named in honor of the Press’s founding director, who was one of the genuine publishing icons of his day. Established in 1983 at the dedication of the new headquarters of Texas A&M University Press on the campus of Texas A&M, the collection began with twenty inaugural contributions that came as gifts from respected Texas artists whose art appeared in the books Wardlaw had shepherded to publication at the Press. Since then, the collection—which continue...
