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Basics Film-Making 04: The Language of Film
Basics Film-Making: The Language of Film presents complex ideas in a clear and straightforward style, enabling you to apply these ideas to your own analysis or film-making. --
Basics Film-Making 02: Screenwriting
This second book in the Basics Film-Making series teaches the key elements of screenwriting, examining areas such as dialogue, sound, setting, shots, and structure.
The Language of Film
Beautifully illustrated with stills from feature films and short films, The Language of Film is an engaging introduction to the means by which film communicates meaning to its audience.
The Recorder
A Choice "Best Academic" book in its first edition, The Recorder remains an essential resource for anyone who wants to know about this instrument. This new edition is thoroughly redone, takes account of the publishing activity of the years since its first publication, and still follows the original organization.
General Register
Announcements for the following year included in some vols.
The Poetics and Politics of Alzheimer’s Disease Life-Writing
This book is open access under a CC BY 4.0 license. This is the first book-length exploration of the thoughts and experiences expressed by dementia patients in published narratives over the last thirty years. It contrasts third-person caregiver and first-person patient accounts from different languages and a range of media, focusing on the poetical and political questions these narratives raise: what images do narrators appropriate; what narrative plot do they adapt; and how do they draw on established strategies of life-writing. It also analyses how these accounts engage with the culturally dominant Alzheimer’s narrative that centres on dependence and vulnerability, and addresses how they relate to discourses of gender and aging. Linking literary scholarship to the medico-scientific understanding of dementia as a neurodegenerative condition, this book argues that, first, patients’ articulations must be made central to dementia discourse; and second, committed alleviation of caregiver burden through social support systems and altered healthcare policies requires significantly altered views about aging, dementia, and Alzheimer’s patients.
Scavenger Hunt
Philip Marlow and Lew Archer would recognize a kindred spirit in Jimmy Gage, reporter for SLAP magazine, troublemaker by trade and inclination, and the hero of Robert Ferrigno’s sinuous new crime novel. While taking part in a Hollywood scavenger hunt, Jimmy meets Garret Walsh, a bad-boy movie maker in the truest sense: He’s just been released from prison after serving seven years for the murder of a teenaged girl. But Walsh claims he was framed and is writing a screenplay to prove it. He wants Jimmy to help him peddle it, sight unseen. The next time Jimmy sees the director, he’s floating face-down in a koi pond and “The Most Dangerous Screenplay in Hollywood” has disappeared. Is Walsh a casualty of bad habits or has somebody crossed him off a list? And is Jimmy next? Combining nerve-shredding suspense and heat-seeking satire, Scavenger Hunt is an addictive read.
Robert Edgar Rudman
None
Cultural Capital
Britain began the twenty-first century convinced of its creativity. Throughout the New Labour era, the visual and performing arts, museums and galleries, were ceaselessly promoted as a stimulus to national economic revival, a post-industrial revolution where spending on culture would solve everything, from national decline to crime. Tony Blair heralded it a “golden age.” Yet despite huge investment, the audience for the arts remained a privileged minority. So what went wrong? In Cultural Capital, leading historian Robert Hewison gives an in-depth account of how creative Britain lost its way. From Cool Britannia and the Millennium Dome to the Olympics and beyond, he shows how culture became a commodity, and how target-obsessed managerialism stifled creativity. In response to the failures of New Labour and the austerity measures of the Coalition government, Hewison argues for a new relationship between politics and the arts.
Tumbledown
Robert Boswell's first novel since Century's Son showcases once again his "dazzling technical skill, intelligence and moral seriousness" (The New York Times Book Review) *A Library Journal "Best Indie Fiction of 2013" * At age thirty-three, James Candler seems to be well on the road to success. He's in line for a big promotion at Onyx Springs, the treatment facility where he's a therapist. He has a fiancée, a sizable house, and a Porsche. But . . . he's falling in love with another woman, he's underwater on his mortgage, and he's put his hapless best friend in charge of his signature therapeutic program. Even the GPS on his car can't seem to predict where he should turn next. And his clients are struggling in their own hilarious, heartbreaking ways to keep their lives on track. How can he help them if he can't help himself? In Tumbledown, Robert Boswell presents a large, unforgettable cast of characters who are all failing and succeeding in various degrees to make sense of our often-irrational world. In a moving narrative twist, he boldly reckons with the extent to which tragedy can be undone, the impossible accommodated.
