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Aimed at students in the final year of secondary education or beginning degrees, this immensely readable book provides the ideal introduction to studying English literature. The book will: * orientate you, by explaining what you are doing when you 'do English' * equip you for future study, by introducing current ideas literature, context and interpretation * enable you to bridge the gap between 'traditional' and 'theoretical' approaches to literature, showing why English has had to change and what those changes mean for you. Doing English deals with the exciting new ideas and contentious debates that make up English today, covering a broad range of issues from the history of literary studies and the canon to Shakespeare, politics and the future of English. The second edition has been revised throughout and includes a new chapter on narrative. Robert Eaglestone's refreshingly clear explanations and advice make this volume essential reading for all those planning to 'do English' at advanced or degree level.
'Masterful, an enormously readable narrative of the English people from the Anglo-Saxons to the present' Dominic Sandbrook, Sunday Times, Books of the Year In The English and their History, the first full-length account to appear in one volume for many decades, Robert Tombs gives us the history of the English people, and of how the stories they have told about themselves have shaped them, from the prehistoric 'dreamtime' through to the present day. 'As ambitious as it is successful . . . Packed with telling detail and told with gentle, sardonic wit, a vast and delightful book' Ben MacIntyre, The Times, Books of the Year 'A stupendous achievement ... a story of a people we can't fail to recognize: stoical, brave, drunken, bloody-minded, violent, undeferential, yet paradoxically law-abiding ... I found myself gripped' Daniel Hannan, Spectator 'Original and enormously readable, this brilliant, hugely engaging work has a sly wit and insouciance that are of themselves rather English' Sinclair MacKay, Daily Telegraph
In most analyses of the Cold War's end the ideological aspects of Gorbachev's "new thinking" are treated largely as incidental to the broader considerations of power. English demonstrates that Gorbachev's foreign policy was the result of an intellectual revolution. He analyzes the rise of a liberal policy-academic elite and its impact on the Cold War's end.
The Scottish Invention of English Literature explores the origins of the teaching of English literature in the academy. It demonstrates how the subject began in eighteenth-century Scottish universities before being exported to America and other countries. The emergence of English as an institutionalised university subject was linked to the search for distinctive cultural identities throughout the English-speaking world. This book explores the role the discipline played in administering restraints on the expression of indigenous literary forms, and shows how the growing professionalisation of English as a subject offered a breeding ground for academics and writers with an interest in native identity and cultural nationalism. This book is a comprehensive account of the historical origins of the university subject of English literature and provides a wealth of new material on its particular Scottish provenance.
Discussing English, American, Irish, Australian, and other writings, Crawford concentrates on Scottish literature, which furnishes the most extended and acute model of a culture concerned to maintain and develop its own identity while engaging with England's linguistic and political dominance. Starting with the eighteenth-century 'Scottish invention of English Literature', Crawford traces in Boswell, Burns, and others the evolution of a distinctively British Literature. This process culminated in Scott who, with Carlyle, encouraged nineteenth-century American writing and left rich legacies both to anthropology and to the literary Modernism of Eliot, Pound, Joyce, and MacDiarmid. This essentially provincial phenomenon of Modernism underwrites even Larkin, as well as such sophisticated post-British 'barbarian' poets as Heaney, Harrison, Dunn, Murray, and Walcott
Ever since the English aristocracy embarked on the Grand Tour in the seventeenth century, a passion for collecting has become a national trait. This is reflected not only in England's aristocratic palaces and ancient manors, but in more modest residences, too. Romantic English Homes features 14 such homes. Large or small, old or new, they all exude typical English style: massed objects intentionally mingling a variety of styles and tastes, with the classical placed next to the gothic, and plaid checks alongside floral prints. Criss-crossing the country, from Dorset, Devon, and Cornwall to East Anglia and Suffolk, from London to Staffordshire and Northumberland, it is both the romantic timelessness of these properties and their comfortable, many-layered appearance that makes them so alluring and romantic to modern eyes.
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1943. The sleepy Suffolk village of Bedenham is jerked into the twentieth century and the harsh realities of war by the arrival on its doorstep of an American bomber base and its three thousand inhabitants. For Billy Street, fourteen, a London evacuee uneasily billeted with the village blacksmith, the American invasion is heaven sent - unlimited opportunities and acceptance at last within a community he loves. Yet a concealed past threatens his new happiness. Billy's schoolteacher, Heather Garrett, awaits word of a husband missing for eighteen months. A stranger to Bedenham, Heather's sense of isolation - and village suspicions - are heightened when troubled American pilot John Hooper, reaches for her friendship. And daily the skies fill with the bombers and their ten-man crews who, during that bleak autumn of 1943, suffered losses on a catastrophic scale. For Hooper, tormented by earlier loss, leading Misbehavin' Martha and her disorderly crew safely through their 25 designated bombing missions becomes a personal crusade.