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In 1929, nearly four hundred years after the deaths of Saints Thomas More and John Fisher, G.K. Chesterton observed in words equally attributable to Fisher, "Blessed Thomas More is more important at this moment than at any moment since his death, even perhaps the great moment of his dying; but he is not quite so important as he will be in a hundred years." Judge Robert J Conrad, Jr. anticipates Chesterton's one-hundred-year mark in a collection of stories from the lives of More and Fisher, demonstrating how their sanctity and integrity carried them and those who loved them through tumultuous and heart-wrenching times which, perhaps surprisingly, bear a striking resemblance to the present epo...
Through attention to incidents of betrayal and self-betrayal in his fiction, this book traces the development of Conrad's conception of identity through the three phases of his career: the self in isolation, the self in society and the sexualised self. It shows how the early fiction negotiates the opposed dangers of the self-ideal and the surrender to passion; how the middle fiction tests the ideal code psychologically and ideologically; and how the late fiction probes sexuality and morbid psychology.
Juries have a bad reputation. Often jurors are seen as incompetent, biased and unpredictable, and jury trials are seen as a waste of time and money. In fact, so few criminal and civil cases reach a jury today that trial by jury is on the verge of extinction. Juries are being replaced by mediators, arbitrators and private judges. The wise trial of “Twelve Angry Men” has become a fiction. As a result, a foundation of American democracy is about to vanish. The Jury Crisis: What’s Wrong with Jury Trials and How We Can Save Them addresses the near collapse of the jury trial in America – its causes, consequences, and cures. Drury Sherrod brings his unique perspective as a social psychologi...
'An impenetrable mystery seems destined to hang for ever over this act of madness or despair.' Mr Verloc, the secret agent, keeps a shop in London's Soho where he lives with his wife Winnie, her infirm mother, and her idiot brother, Stevie. When Verloc is reluctantly involved in an anarchist plot to blow up the Greenwich Observatory things go disastrously wrong, and what appears to be 'A Simple Tale' proves to involve politicians, policemen, foreign diplomats and London's fashionable society in the darkest and most surprising interrelations. Based on the text which Conrad's first English readers enjoyed, this new edition includes a critical introduction which describes Conrad's great London ...
In recent years, critics and readers alike have increasingly recognized the unique brilliance of Joseph Conrad's short fiction, elevating it to the pinnacle of his artistic achievements. Marvin Mudrick, in his provocative analysis, even argues that Conrad’s finest works are his novellas, suggesting that their compact scope perfectly channels his intense moral and psychological explorations. While Mudrick's view might challenge the centrality of Conrad’s renowned novels like Lord Jim or Nostromo, it highlights the enduring power of works such as Typhoon, The Shadow-Line, and Heart of Darkness, which encapsulate Conrad’s themes with unparalleled clarity and force. This book delves into C...
First published in 1900, Lord Jim established Conrad as one of the great storytellers of the twentieth century. Set in the Malay Archipelago, the novel not only provides a gripping account of maritime adventure and romance, but also an exotic tale of the East. Its themes also challenge the conventions of nineteenth-century adventure fiction, confirming Conrad's place in literature as one of the first 'modernists' of English letters.
Werner Senn’s Conrad’s Narrative Voice draws on the methodology of linguistic stylistics and the analysis of narrative discourse to discuss Joseph Conrad’s perception of the role and the limitations of language. Tracing recurrent linguistic patterns allows Senn to demonstrate that Conrad’s view of the radical indeterminacy of the world is conveyed on the most basic levels of the author’s (often criticised) verbal style but permeates his work at all levels of the narrative. Detailed stylistic analysis also reveals the importance, to Conrad, of the spoken word, of oral communication. Senn argues that the narrators’ compulsive efforts to make their readers see and understand reflect Conrad’s ethics of human solidarity in a world he depicts as hostile, enigmatic and often senseless.
Best known as the author of Heart of Darkness , Joseph Conrad (1857-1924) is one of the most widely taught writers in the English language. Conrad's work has taken on a new importance in the dawning of the 21st century: in the wake of September 11 many cultural commentators returned to his novel The Secret Agent to discuss the roots of terrorism, and the overarching theme of colonialism in much of his work has positioned his writing as central to not only literature scholars, but also to postcolonial and cultural studies scholars and, more recently, to scholars interested in globalization. Reading Conrad Now is a collection of original essays by leading Conrad scholars that rereads Conrad in...
'A sudden passion of anxious impatience rushed through my veins and gave me such a sense of the intensity of existence as I have never felt before or since.' link title to catalogue entry](exact date?)Written in 1915, The Shadow-Line is based upon events and experiences from twenty-seven years earlier to which Conrad returned obsessively in his fiction. A young sea captain's first command brings with it a succession of crises: his sea is becalmed, the crew laid low by fever, and his deranged first mate is convinced that the ship is haunted by the malignant spirit of a previous captain. This is indeed a work full of 'sudden passions', in which Conrad is able to show how the full intensity of ...
This selection of four relatively neglected stories by Conrad -- 'The End of the Tether', ' The Duel', ' The Return', and 'Amy Foster' --remind readers that he is not just the teller of sea stories and tales of imperialist action, but a writer for an age of global terror and individual trauma.