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Mass Media Hearings
Transcripts of hearings on the mass media before the National Commission on the Causes and Prevention of Violence, October 16 and 17, 1968 and December 18, 19, and 20, 1968 in the New Senate Office Building, Washington, D.C.
Mass Media Hearings
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Rezident
Vasily Zarubin ranked as an important Soviet intelligence officer, but he has received little recognition in the history of intelligence in the United States. In Rezident, author Robert K. Baker, who worked with foreign counterintelligence matters for the FBI during a thirty-three-year career, presents the first English language biography of Zarubin, Stalins principal intelligence officer in this country during World War II. Rezident recounts the exploits of Zarubins work with Soviet intelligence during the twentieth century narrating how his odyssey extended from the Soviet Far East during the early years of Soviet Russia to deep cover assignments with his wife, Elizaveta, in France, Nazi Germany, and the United States. After Germany invaded the Soviet Union, Stalin appointed Zarubin as his intelligence emissary to the United States to gather political, military, and technological information. Zarubin was successful in providing valuable information to the Soviet Union during the war years. This biography of Zarubins life and times provides a greater appreciation and understanding of the role of the security and intelligence services in the sphere of national security.
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Wallowing in Sex
Passengers disco dancing in The Love Boat’s Acapulco Lounge. A young girl walking by a marquee advertising Deep Throat in the made-for-TV movie Dawn: Portrait of a Teenage Runaway. A frustrated housewife borrowing Orgasm and You from her local library in Mary Hartman, Mary Hartman. Commercial television of the 1970s was awash with references to sex. In the wake of the sexual revolution and the women’s liberation and gay rights movements, significant changes were rippling through American culture. In representing—or not representing—those changes, broadcast television provided a crucial forum through which Americans alternately accepted and contested momentous shifts in sexual mores, ...
The Hollywood TV Producer
Except for accounts of journalists, dissident employees, and an occasional congressional committee focusing on crime and unethical practices, we have known very little about how television programs are produced. The Hollywood TV Producer, originally published in 1971, was the first serious examination of constraints, conflicts, and rewards in the daily lives of television producers. Its insights were important at the time and have not been challenged. Using as her framework the social system of mass communications, Muriel G. Cantor shows how producers select stories for television series and how movies end up in prime time. In order to get a comprehensive look at the inner workings of the TV...
Hearings
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