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The Red Rooster Scare
Only once in cinema history have imported films dominated the American market: during the nickelodeon era in the early years of the twentieth century, when the Pathé company's "Red Rooster" films could be found "everywhere." Through extensive original research, Richard Abel demonstrates how crucial French films were in making "going to the movies" popular in the United States, first in vaudeville houses and then in nickelodeons. Abel then deftly exposes the consequences of that popularity. He shows how, in the midst of fears about mass immigration and concern that women and children (many of them immigrants) were the principal audience for moving pictures, the nickelodeon became a contested...
Exhibition, the Film Reader
From the kinetoscope, used by one viewer at a time, to the lavish movie palaces of Hollywood's golden era, the experience of watching films has varied enormously across film. Exhibition, The Film Reader traces the emergence of a culture of moviegoing, exploring the range of venues in which films have been shown and following the fluctuating status of film and the continuning struggle over audiences.
Shared Pleasures
Gomery (The coming of sound to the American cinema, 1975; The Hollywood studio system, 1986) draws upon his earlier work and that of other scholars to address the broader social functions of the film industry, showing how Hollywood adapted its business policies to diversity and change within American society. Includes 31 bandw photographs. Paper edition (unseen), $15.95. Annotation copyrighted by Book News, Inc., Portland, OR
Working-Class Hollywood
This path-breaking book reveals how Hollywood became "Hollywood" and what that meant for the politics of America and American film. Working-Class Hollywood tells the story of filmmaking in the first three decades of the twentieth century, a time when going to the movies could transform lives and when the cinema was a battleground for control of American consciousness. Steven Ross documents the rise of a working-class film movement that challenged the dominant political ideas of the day. Between 1907 and 1930, worker filmmakers repeatedly clashed with censors, movie industry leaders, and federal agencies over the kinds of images and subjects audiences would be allowed to see. The outcome of t...
Going Out
This social history of 20th-century show business and the new American public that assembled in the parks, theatres and dance halls argues that an otherwise disparate 'white' audience was united by the exclusion and stigmatisation of African Americans.
AT PICTURE SHOW
Demonstrating that the vertical integration of the film industry eliminated variety at the local level, Fuller argues that fan magazines helped to reduce the distinctions between rural and urban moviegoers and created a nationwide popular culture of film consumption.
Alsed Newsletter
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National Union Catalog
Includes entries for maps and atlases.
Advanced Genealogy Research Techniques
A professional genealogist reveals how to get past brick walls in research and unearth hard-to-find ancestors.
