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Catalog of Copyright Entries. New Series
Part 1, Books, Group 1, v. 20 : Nos. 1 - 125 (Issued April, 1923 - May, 1924)
Farming the Cutover
Farming the Cutover describes the visions and accomplishments of these settlers from their perspective. People of the cutover managed to forge lives relatively independent of market pressures, and for this they were characterized as backward by outsiders and their part of the state was seen as a hideout for organized crime figures. State and federal planners, county agents, and agriculture professors eventually determined that the cutover could be engineered by professional and academic expertise into a Progressive social model and the lives of its inhabitants improved. By 1940, they had begun to implement public policies that discouraged farming, and they eventually decided that the region should be depopulated and the forests replanted. By exploring the history of an eighteen-county region, Robert Gough illustrates the travails of farming in marginal areas. He juxtaposes the social history of the farmers with the opinions and programs of the experts who sought to improve the region. Significantly, what occurred in the Wisconsin cutover anticipated the sweeping changes that transformed American agriculture after World War II.
Catalog of Copyright Entries. Third Series
Includes Part 1, Number 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (July - December)
Meet Me on the Midway
Jerry Apps explores the history of county and state fairs in Wisconsin, from their earliest incarnations as livestock exhibitions to today’s multitude of exhibits and demonstrations, grandstand entertainment, games and rides, and competitions of all sorts. Drawing on his extensive research, interviews, and personal experience as a 4-H leader, county extension agent, fair judge, and lifelong fairgoer, Apps takes readers back through 178 years of Wisconsin fair history, covering everything from horsepulling and calf-showing contests to exhibit judging to the roar of gasoline engines powering the midway rides. He evokes the sights and sounds of fairs through the ages while digging in to the political and social forces that shaped the fair into an icon of our rural heritage. Illustrated with vintage and modern photos and featuring the voices of exhibitors, judges, volunteers, and visitors, Meet Me on the Midway vividly captures the thrills and cherished memories of these beloved annual gatherings.
Czech It Out
Czech it Out: Czech American Biography Sourcebook provides a wealth of information on a variety of sources relating to biographical information on notable Americans with Czech roots. Besides the national figures, also included are information sources on significant individuals at the state, regional, and local levels. Beyond that, we saw it fit to also incorporate ethnic information sources, which frequently contain a wealth of information on pioneer settlers and individuals active at the community level. Having in mind the interests of genealogists in individual families and their descendents, a listing has also been provided on family histories and genealogies. Even though Czechs have been...
Polkabilly
While the Goose Island Ramblers are a remarkable group, they are entirely representative of the many bands who, from the 1920s through the 90s, have synthesized an array of "foreign," "American," folk, popular, and hillbilly musical strains to entertain rural, small town, working class audiences throughout the Midwest. Based on more than twenty years of field research, this study of the Goose Island Ramblers alters our perception of what American folk music really is. The music of the Ramblers - decidedly upper Midwest, multicultural, and inescapably American - argues for a most inclusive, fluid notion of American folk music, one that exchanges ethnic hierarchy for egalitarianism, that stresses process over pedigree, and that emphasizes the pluralism of American musical culture. Rootsy, constantly evolving, and wildly eclectic, the polkabilly music of the Ramblers constitutes the American folk music norm, redefining in the process our understanding of American folk traditions.
