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Tricksters and Estates
If the Renaissance was the Golden Age of English comedy, the Restoration was the Silver. These comedies are full of tricksters attempting to gain estates, the emblem and the reality of power in late feudal England. The tricksters appear in a number of guises, such as heroines landing their men, younger brothers seeking estates, or Cavaliers threatened with dispossession. The hybrid nature of these plays has long posed problems for critics, and few studies have attempted to deal with their diversity in a comprehensive way. Now one of the leading scholars of Restoration drama offers a cultural history of the period's comedy that puts the plays in perspective and reveals the ideological functio...
The Lady of Pleasure
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The Country Gentleman
"There was a challenge lately intended for the Duke of Buckingham upon Sir William Coventrys account. . . . The occasion . . .was a new play to be acted on Saturday last called the Country gentleman. . . . But the King hath prevented all; and the play is not acted."—Samuel Pepys, 2 March 1669 This edition makes available for the first time The Country Gentleman, a play written by Sir Robert Howard and the Duke of Buckingham, personally suppressed by King Charles II in 1669. Its vicious personal attack on Sir William Coventry provoked a scandal. Consequently, it was banned before public performance and very naturally never printed. The play was long presumed lost. Fortunately, Pepys recorde...
The Bed-trick in English Renaissance Drama
None of these assumptions has been tested against the evidence of the surviving plays from the period - an oversight that the present study seeks to remedy.
Masculinity and the Metropolis of Vice, 1550–1650
Leading authors in the field of early modern studies explore a range of bad behaviours - like binge drinking, dicing, and procuring prostitutes at barbershops - in order to challenge the notion that early modern London was a corrupt city that ruined innocent young men.
The Aesthetics of Spectacle in Early Modern Drama and Modern Cinema
Examining the work of the Elizabethan playwright, Robert Greene, this book argues that Greene's plays are innovative in their use of spectacle. Its most striking feature is the use of the one-to-one analogies between Greene's drama and modern cinema, in order to explore the plays' stage effects.
Shakespeare and the Poet's Life
Shakespeare and the Poet's Life explores a central biographical question: why did Shakespeare choose to cease writing sonnets and court-focused long poems like The Rape of Lucrece and Venus and Adonis and continue writing plays? Author Gary Schmidgall persuasively demonstrates the value of contemplating the professional reasons Shakespeare -- or any poet of the time -- ceased being an Elizabethan court poet and focused his efforts on drama and the Globe. Students of Shakespeare and of Renaissance poetry will find Schmidgall's approach and conclusions both challenging and illuminating.
Cybernetic Revelation
Cybernetic Revelation explores the dual philosophical histories of deconstruction and artificial intelligence, tracing the development of concepts like the "logos" and the notion of modeling the mind technologically from pre-history to contemporary thinkers like Slavoj Žižek, Steven Pinker, Bernard Stiegler and Daniel C. Dennett. The writing is clear and accessible throughout, yet the text probes deeply into major philosophers seen by JD Casten as "conceptual engineers." Philosophers covered include: Anaximander, Heraclitus, Parmenides, Plato, Aristotle, Philo, Augustine, Shakespeare, Descartes, Spinoza, Leibniz, Locke, Berkeley, Hume, Kant, Hegel, Nietzsche, Freud, Jung, Joyce, Dewey, Wittgenstein, Heidegger, Adorno, Benjamin, Derrida, Chomsky, Žižek, Pinker, Dennett, Hofstadter, Stiegler + more; with special chapters on: AI's history, Complexity, Deconstructing AI, Aesthetics, Consciousness + more...
Professional Playwrights
The most neglected of the English Renaissance playwrights are the major Carolines—Philip Massinger, John Ford, James Shirley, and Richard Brome. Writing in the 1620s and 1630s, always in the shadow of their great precursors, Shakespeare and Jonson, they have often been dubbed mere purveyors of slick, escapist sensationalism who avoided the great issues of their day and turned away from the impending breakdown of English society. Ira Clark's revisionist book shows us these dramatists and their time whole, particularly through analysis of their treatment of sociopolitical issues—issues that find echoes in twentieth-century concerns. For each of these playwrights, Clark sketches his known s...
