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Antiquarianism and the Visual Histories of Louis XIV
This revisionary study provides a new interpretation of objects and images commissioned by Louis XIV (1638–1715) to document his reign for posterity. Robert Wellington uncovers a numismatic sensibility throughout the iconography of Louis XIV. He looks beyond the standard political reading of the works of art made to document the Sun King’s history, to argue that they are the results of a creative process wedded to antiquarianism, an intellectual culture that provided a model for the production of history in the grand siècle.
The Versailles Effect
The essays in this volume show that Versailles was not the static creation of one man, but a hugely complex cultural space; a centre of power, but also of life, love, anxiety, creation, and an enduring palimpsest of aspirations, desires, and ruptures. The splendour of the Château and the masterpieces of art and design that it contains mask a more complex and sometimes more sordid history of human struggle and achievement. The case studies presented by the contributors to this book cannot provide a comprehensive account of the Palace of Versailles and its domains, the life within its walls, its visitors, and the art and architecture that it has inspired from the seventeenth century to the present day: from the palace of the Sun King to the Penthouse of Donald Trump. However, this innovative collection will reshape-or even radically redefine-our understanding of the palace of Versailles and its posterity.
Sessional Papers
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