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In 2014, the UK science-fiction television series Black Mirror was released on Netflix worldwide, quickly becoming a hit with US audiences. Like other beloved British imports, this series piqued Americans' interest with hints of dark comedy, clever plotlines, and six-episode seasons that left audiences frantic for more. In Transatlantic Television Drama, volume editors Michele Hilmes, Matt Hills, and Roberta Pearson team up with leading scholars in TV studies and transnational television to look at how serial dramas like Black Mirror captivate US audiences, and what this reveals about the ways Americans and Brits relate to each other on and off the screen. Focusing on production strategies, ...
This Dictionary lays out the major theoretical approaches deployed in the study of the moving image as well as defining key theoretical terms. Contextual entries range from 500 to 3,000 words.
The Paradox of a Global USA describes the vexed relationship between the United States and globalization. On the one hand, the U.S. has vociferously promoted modernization and open markets, both central components of the process of globalization. On the other hand, it appears to be resolutely determined not to live within an institutional framework of globalized authority. As the world's only superpower, the United States is often perceived as championing its own narrow national sovereignty—for example, by opposing the Kyoto Protocol and the International Criminal Court, and by taking action in Iraq outside the auspices of the UN. The book treats the paradox of American exceptionalism and globalization as a "local" happening within the broader process of globalization. These essays analyze the ways in which the USA has both played a role in, and reacted against, emerging present-day globalization. Examples are drawn from the fields of history, political science, cultural studies, and economics, making this collection one of the very few to link together so diverse a group of authors and approaches to the subject of global USA.
"Lost", created by wunderkind JJ Abrams and aired on the US ABC network and Sky in the UK, began in 2004 and ends after its sixth season in 2010. This book not only offers an understanding of the multi-media phenomenon that is "Lost". It also demonstrates how the contemporary American television industry works.
Cultural memory and the Construction of Identity brings together scholars of folklore, literature, history, and communication to explore the dynamics of cultural memory in a variety of contexts. Memory is a powerful tool that can transform a piece of earth into a homeland and common objects into symbols. The authors of this volume show how memory is shaped and how it operates in uniting society and creating images that attain the value of truth even if they deviate from fact.
"Pearson writes beautifully, clearly, and entertainingly (with a touch of sardonic sarcasm here and there). This is the single best work centering on performance in film that I have read."—Thomas Gunning, author of D. W. Griffith and the Origins of American Narrative Film
This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years. a total of 20 of Hitchcock's films are discussed in depth - many others are considered in passing section introductions by the editors that contextualize the essays and the films they discuss well-researched bibliographic references, which will allow readers to broaden the scope of their study of Alfred Hitchcock
Combining classic and recent essays and examining key issues such Movie Acting, the Film Reader explores one of the most central but often overlooked aspects of cinema: film acting.
The story of the Kelly Gang is considered the first narrative feature film ever made. Filmed outside Melbourne when the Kelly legend was still fresh, it was believed lost for many years. The Australian National Film and Sound Archive and the BFI have restored parts of the original 1906 film to create an amazing package, which includes two commentaries on the national and worldwide significance of the film, alongside soundtacks and a variety of viewing modes.
The music for science fiction television programs, like music for science fiction films, is often highly distinctive, introducing cutting-edge electronic music and soundscapes. There is a highly particular role for sound and music in science fiction, because it regularly has to expand the vistas and imagination of the shows and plays a crucial role in setting up the time and place. Notable for its adoption of electronic instruments and integration of music and effects, science fiction programs explore sonic capabilities offered through the evolution of sound technology and design, which has allowed for the precise control and creation of unique and otherworldly sounds. This collection of essays analyzes the style and context of music and sound design in Science Fiction television. It provides a wide range of in-depth analyses of seminal live-action series such as Doctor Who, The Twilight Zone, and Lost, as well as animated series, such as The Jetsons. With thirteen essays from prominent contributors in the field of music and screen media, this anthology will appeal to students of Music and Media, as well as fans of science fiction television.