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In 1606, a Portuguese ship, Nossa Senhora dos Mártires, put into Lisbon laden with peppercorns, porcelain, and other products from Cochin. A large vessel for the time, the merchantman displaced twelve hundred tons and carried three to four masts. The ship foundered during a storm in a northern channel of the Tagus River. Within hours the currents and the storm had torn it asunder and spread its precious cargo along the shores of the estuary. The Pepper Wreck tells the story of the ship’s excavation by crews working in cold water and fast currents between 1997 and 2000, four centuries after Nossa Senhora dos Mártires went down. Author Filipe Vieira de Castro discusses the nautical history...
Presents a "first history" of the artist and his work within the literary and sociocultural context of contemporary London, Paris, Milan, and New York. This work also emphasizes a re-evaluative positioning of Nevinson's work within a modernist framework in literature and art in the first half of the twentieth century in northwest Europe.
"Modernity as exile tackles the themes of migration, displacement, and multiculturalism in the modern world." "Throughout John Berger's writings, whether an art, literature or sociology, the figure of the stranger signals both the pain of uprooting and the insight gained from 'another way of seeing'." "Nikos Papastergiadis uses this figure to argue that 'exile' is not merely a political or social fact, but is an inner condition, central to the postmodern self. He analyses the cultural dynamics that connect migration and exile, not simply as the negative consequence of contemporary culture, but as its fundamental driving force. Peoples are displaced not only by wars and famine but by economics, tourism, global telecommunications. How this explodes our notions of home, of community and our sense of belonging is the central question addressed by this provocative and powerful book."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
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Crammed with information, The Brontës in Context shows how the Brontës' fiction interacts with the spirit of the time.
In the centre of a 1960s hospital ward sits a curtained-off bed, guarded by a policeman. In it lies a murderer, hidden from view and likely to die before he can be hanged for his crime. In the closed, regimented society of the ward, his invisible presence fractures and rebuilds the way the other patients see the world. In the face of someone who has shattered all social covenants, life can no longer continue according to the rules. Upturning conventions from morality to masculinity to class to prejudice, The Foot of Clive is a masterclass on humanity from the Booker Prize-winning author of G.
A print can sometimes tell us more than a painting about the history of art. Michel Melot illustrates his thesis in this book, analysing relationships between artists, the art market, the critics, collectors and political institutions. This fresh approach reveals Impressionism not as a sort of miracle, but as a response to economic and social upheaval. This original view of a key movement in the history of art allows the reader to understand its decisive effect on all the subsequent generations who have contributed to maintaining the tradition of the belle epreuve.
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