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A modern love story, told in verse, about two teenaged trans boys who name themselves after two Revolutionary War soldiers. A lyrical, aching young adult romance perfect for fans of The Poet X, Darius the Great is Not Okay, and Aristotle and Dante Discover the Universe. For as long as they can remember, Aaron and Oliver have only ever had each other. In a small town with few queer teenagers, let alone young trans men, they’ve shared milestones like coming out as trans, buying the right binders—and falling for each other. But just as their relationship has started to blossom, Aaron moves away. Feeling adrift, separated from the one person who understands them, they seek solace in digging deep into the annals of America’s past. When they discover the story of two Revolutionary War soldiers who they believe to have been trans man in love, they’re inspired to pay tribute to these soldiers by adopting their names—Aaron and Oliver. As they learn, they delve further into unwritten queer stories, and they discover the transformative power of reclaiming one’s place in history. Further reading on trans history is included in backmatter.
We all begin in water and are called back to the water. Blue Blood challenges the rhetoric that trans people are "unnatural" through captivating verses about metamorphosis and meditations on the concept of home. Robin Gow invites readers to resist imposed gender roles and to celebrate identity; to question what their own body means to them.
Robin Gow’s Gooseberry is a moving middle-grade novel about a young nonbinary person searching for family and finding it with a sweet rescue dog. There’s a lot twelve-year-old B doesn’t know—like what their new name should be after coming out as nonbinary. Or what it would feel like to finally feel at home after moving around to different foster families for years. But there’s one thing B does know: they want to be a dog trainer when they grow up. And when they meet Gooseberry—a feisty stray dog who seems as wary of strangers as B does—B feels an instant connection. With Gooseberry, B could have everything they want: a family of their own, and a dog to train. And B’s newest foster parents agree to let B adopt him. But training a dog isn’t as easy as B expected. Gooseberry is anxious and barely lets B pet him, let alone train him. Will Gooseberry ever feel at ease with B? And how can B teach Gooseberry to trust, when they know so little about trust themself? Gooseberry is a heartwarming story by the acclaimed author of Dear Mothman about finding family, finding hope, and—most of all—finding and accepting yourself.
The twenty stories in this collection introduce an unusual hodgpodge of everyman--children, men, and women who inhabit different eras and countries, all seeking deliverance.
"Messrs. Gow and Kells have made an invaluable contribution, writing in an amused tone that nevertheless acknowledges the firms' immense power and the seriousness of their neglect of traditional responsibilities. 'The Big Four' will appeal to all those interested in the future of the profession--and of capitalism itself." —Jane Gleeson-White, Wall Street Journal With staffs that are collectively larger than the Russian army and combined revenues of over $130 billion a year, the Big Four accounting firms—Deloitte, PricewaterhouseCoopers, Ernst & Young, and KPMG—are a keystone of global commerce. But leading scholar Ian Gow and award-winning author Stuart Kells warn that a house of cards...
This book covers the state-of-the-art in digital games research and development for anyone working with or studying digital games and those who are considering entering into this rapidly growing industry. Many books have been published that sufficiently describe popular topics in digital games; however, until now there has not been a comprehensive book that draws the traditional and emerging facets of gaming together across multiple disciplines within a single volume.
Winner of the 2018 Lexi Rudnitsky Editor’s Choice Award, Cameron Awkward-Rich’s intimate second book of poems attempts to reckon with and withstand American violence. Set against the media environment that saturates even our most intimate spaces, Dispatch attends to, revises, and thinks adjacent to the news of racial/gendered violence in the US, from the nineteenth century to the present day. These poems ask: What kind of revisions will make this a world/a story that is concerned with my people’s flourishing? How ought I pay attention, how to register perpetual bad news without letting it fatally intrude? Cameron Awkward-Rich is among the most bracing voices to emerge in recent years, a dazzling exemplar of poetry’s (and humanity’s) possibilities.