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Traces the experiences of New Yorkers who grow and produce food in bustling city environments, placing today's urban food production in a context of hundreds of years of history to explain the changing abilities of cities to feed people. 30,000 first printing.
A powerfully told memoir of family, separation, and the things left unsaid, in the wake of the Second World War Raised by her grandparents in the USA, Inara Verzemnieks grew up among expatriates, scattering smuggled Latvian sand over the coffins of the dead, singing folk songs about a land she had never visited. Her grandmother Livija's stories recalled the remote village in Latvia left behind, where she and her sister, Ausma, were separated during the Second World War. They would not see each other again for more than fifty years. Coming to know Ausma and the trauma of her exile to Siberia under Stalin, Inara pieces together her grandmother's survival through the years as a refugee, and her grandfather's own troubling history as a conscript in the Nazi forces. As she interweaves two parts of the family story in spellbinding, lyrical prose, she offers us a profound and cathartic account of loss and survival, resilience and love. Inara Verzemnieks teaches creative non-fiction at the University of Iowa. She has won a Pushcart Prize and a Rona Jaffe Writer's Award, and has been a finalist for the Pulitzer Prize in feature writing. She lives in Iowa City, Iowa.
In a unique visual dialogue, Deja View brings together the work of beloved photographer Martin Parr, master of capturing the art in everyday existence, with The Anonymous Project's archive of unidentified vintage slides, collected from across Europe and America. Surprising and delighting in their similarity, these affectionately matched images celebrate photography's power to capture the small moments of humour, warmth, ennui and absurdity that are in fact our most important of all.
Originally published in hardcover in 2011.
An expert neurologist explores how the mind, brain, and body respond and heal after her personal experience with profound loss. Winner of the Best Book Award (Health: Death & Dying) by American Book Fest In Before and After Loss, neurologist Dr. Lisa M. Shulman describes a personal story of loss and her journey to understand the science behind the mind-altering experience of grief. Part memoir, part creative nonfiction, part account of scientific discovery, this moving book combines Shulman's perspectives as an expert in brain science and a keen observer of behavior with her experience as a clinician, a caregiver, and a widow. Drawing on the latest studies about grief and its effects, she ex...
From intimate relationships to global politics, Sarah Schulman observes a continuum: that inflated accusations of harm are used to avoid accountability. Illuminating the difference between Conflict and Abuse, Schulman directly addresses our contemporary culture of scapegoating. This deep, brave, and bold work reveals how punishment replaces personal and collective self-criticism, and shows why difference is so often used to justify cruelty and shunning. Rooting the problem of escalation in negative group relationships, Schulman illuminates the ways cliques, communities, families, and religious, racial, and national groups bond through the refusal to change their self-concept. She illustrates...
In this bold and timely work, law professor Jeffrey Shulman argues that the United States Constitution does not protect a fundamental right to parent. Based on a rigorous reconsideration of the historical record, Shulman challenges the notion, held by academics and the general public alike, that parental rights have a long-standing legal pedigree. What is deeply rooted in our legal tradition and social conscience, Shulman demonstrates, is the idea that the state entrusts parents with custody of the child, and it does so only as long as parents meet their fiduciary duty to serve the developmental needs of the child. Shulman’s illuminating account of American legal history is of more than academic interest. If once again we treat parenting as a delegated responsibility—as a sacred trust, not a sacred right—we will not all reach the same legal prescriptions, but we might be more willing to consider how time-honored principles of family law can effectively accommodate the evolving interests of parent, child, and state.
The executive director of the Professional Skaters Association (PSA) provides proven technique instruction for more than 100 skills, presenting them progressively from beginning to advanced levels of expertise. 170 photos.
Elizabeth's new job is very unusual. The building where she works might not look very interesting but behind this ordinary Manhattan façade lurks a very special place indeed. Because here you can borrow anything your heart desires . . . And in the basement is something so special, so secret, that Elizabeth can't believe her eyes. The Grimm Collection. Powerful and mysterious items that must be kept safe and can't be lent out to just anyone. So when these objects start disappearing Elizabeth must investigate. But who can she trust? One way or another she has to find out who is stealing from the Grimm Collection . . . and for what dark purpose.
The secret diary of Vogue Editor-in-Chief Alexandra Shulman and the real story behind the BBC TV ABSOLUTELY FASHION documentary. 'One of the great social diaries of our time . . . should become a classic.' Sunday Times 'Eye-popping, brilliantly candid' Evening Standard What a year for Vogue! Alexandra Shulman reveals the emotional and logistical minefield of producing the 100th anniversary issue (that Duchess of Cambridge cover surprise), organizing the star-studded Vogue 100 Gala, working with designers from Victoria Beckham to Karl Lagerfeld and contributors from David Bailey to Alexa Chung. All under the continual scrutiny of a television documentary crew. But narrowly-contained domestic chaos hovers - spontaneous combustion in the kitchen, a temperamental boiler and having to send bin day reminders all the way from Milan fashion week. For anyone who wants to know what the life of a fashion magazine editor is really like, or for any woman who loves her job, this is a rich, honest and sharply observed account of a year lived at the centre of British fashion and culture.