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THE DEAD RINGER is the final book of the trilogy, the first being The Dead Shed followed by The Dead Winds. The story has a continuing story of the main characters, Samantha & Jeremy, their lives, their romance and their work as Police officers. The series is a first for Author, Robyn J Geiger.
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The Dead Shed will be the first of a series of murder mysteries with the main characters, Samantha DeCosta and Senior Sergeant Jeremy Hart becoming an integral part of the books as their relationship develops. Based in Mackay and Sarina, the Authors' home town, it has a lot of local content and much of the story, although fiction has some semblance to the Author's own life experience. The Dead Shed will leave readers desperate to see what happens next and will be lining up to buy Book 2.
Listing of papers presented at the 35th annual conference of the Mathematics Education Research Group of Australasia, held in Singapore in July 2012.
Explores two thousand years of radically changing opinions on the emperor Augustus, and what they reveal about the historical individual.
It is 1939. Eva Delectorskaya is a beautiful 28-year-old Russian émigrée living in Paris. As war breaks out she is recruited for the British Secret Service by Lucas Romer, a mysterious Englishman, and under his tutelage she learns to become the perfect spy, to mask her emotions and trust no one, including those she loves most. Since the war, Eva has carefully rebuilt her life as a typically English wife and mother. But once a spy, always a spy. Now she must complete one final assignment, and this time Eva can't do it alone: she needs her daughter's help.
This book offers a theoretically driven, empirically grounded survey of the role visual communication plays in political culture, enabling a better understanding of the significance and impact visuals can have as tools of political communication. The advent of new media technologies have created new ways of producing, disseminating and consuming visual communication, the book hence explores the theoretical and methodological underpinnings of visual political communication in the digital age, and how visual communication is employed in a number of key settings. The book is intended as a specialist reading and teaching resource for courses on media, politics, citizenship, activism, social movements, public policy, and communication.