You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The most accessible and up-to-date dictionary of its kind, this wide-ranging A-Z covers both interpersonal and mass communication, in all their myriad forms, encompassing advertising, digital culture, journalism, new media, telecommunications, and visual culture, among many other topics. This new edition includes over 200 new complete entries and revises hundreds of others, as well as including hundreds of new cross-references. The biographical appendix has also been fully cross-referenced to the rest of the text. This dictionary is an indispensable guide for undergraduate students on degree courses in media or communication studies, and also for those taking related subjects such as film studies, visual culture, and cultural studies.
Nash and Zullo turn their unique ability to ferret out the absurd, amusing and ridiculous to one of America's favorite pastimes--golf.
This new series aims to explore the area of "e;screen music"e;. Volume topics will include multimedia music, music and television, Hollywood film music, and the music of Bollywood cinema.Music and other sound effects have been central to a whole host of media forms throughout the twentieth century, either as background, accompaniment, or main driving force. Such interactions will continue to mutate in new directions, with the widespread growth of digital technologies. Despite the expansion of research into the use of music and sound in film, the investigation of sonic interactions with other media forms has been a largely under-researched area. Music, Sound and Multimedia provides a ...
This fascinating dictionary covers the whole realm of social media, providing accessible, authoritative, and concise entries centred primarily on websites and applications that enable users to create and share content, or to participate in social networking. From the authors of the popular Dictionary of Media and Communication, Daniel Chandler and Rod Munday, comes a title that complements and supplements their previous dictionary, and that will be of great use to social media marketing specialists, bloggers, and to any general internet user.
Richard Blackman was chased off a course by a lion. Despite being blind, Charles Boswell shot a round of 81. An errant drive by Mathieu Boya resulted in the destruction of the entire air force of Benin. Otto Bucher shot a hole-in-one at age ninety-nine. Mobster Al Capone shot himself in the foot during a round of golf. Tommy Bolt was fined 250 for repeatedly breaking wind during the 1959 Memphis Open. While leading the 1934 U.S. Open, Bobby Cruickshank knocked himself out when he threw his club into the air in celebration of a good shot. At the 1973 Sea Pines Heritage Classic, Hale Irwin hit a.
The notion of “happily ever after” has been ingrained in many of us since childhood—meet someone, date, have the big white wedding, and enjoy your well-deserved future. But why do we buy into this idea? Is love really all we need? Author Laurie Essig invites us to flip this concept of romance on its head and see it for what it really is—an ideology that we desperately cling to as a way to cope with the fact that we believe we cannot control or affect the societal, economic, and political structures around us. From climate change to nuclear war, white nationalism to the worship of wealth and conspicuous consumption—as the future becomes seemingly less secure, Americans turn away from the public sphere and find shelter in the private. Essig argues that when we do this, we allow romance to blind us to the real work that needs to be done—building global movements that inspire a change in government policies to address economic and social inequality.
Explores the dangers and benefits of monotheistic intolerance, interacting with scholars of monotheism, evolutionary theory, and agonistic pluralism.
From its earliest days as little more than a series of monophonic outbursts to its current-day scores that can rival major symphonic film scores, video game music has gone through its own particular set of stylistic and functional metamorphoses while both borrowing and recontextualizing the earlier models from which it borrows. With topics ranging from early classics like Donkey Kong and Super Mario Bros. to more recent hits like Plants vs. Zombies, the eleven essays in Music in Video Games draw on the scholarly fields of musicology and music theory, film theory, and game studies, to investigate the history, function, style, and conventions of video game music.
“As a man thinks, so is he.” Personally, and socially, so is he. Yet if this is true, then "as a man thinks" has led us into the thick of global crisis. What exactly is it, about our thinking, that fails us? What has gone so wrong? There are firm reasons why we may hope for new direction. Firstly, we have a new view of the connectedness of all things. Never before has this encompassed so much. It makes a crucial difference to philosophy. Secondly, when we recast philosophy’s high-level concepts in more concrete terms, it becomes possible to discuss them without confusion. This is the method of this book. There is much of interest for the theologian, too. Legendary film director Ingmar Bergman once wrote, “What will happen to us who want to believe, but can not?” His “can not” had to do with what Professor Karen Barad calls the “hegemony of physics”. Everything, Briefly details why it is impossible, in fact, to believe in a closed universe of cause and effect.
This edited volume explores the combination of cultural phenomena that have established and canonized the work of John Milton in a global context, from interlingual translations to representations of Milton's work in verbal media, painting, stained glass, dance, opera, and symphony.