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Lowell Tarling recorded Martin Sharp's life, and his effect on his friends, over twenty years. Now two volumes in one, in advance of the film of these books - GHOST TRAIN... Sharp: The Road to Abraxas - Part One, 1942-1979 Sharper: Bringing It All Back Home - Part Two, 1980-2013 'Like the Ancient Mariner, it's also a ghastly tale. I could understand the events at Luna Park a bit. I was trying to understand them and then suddenly there was this poetic language working to say: this is a crucifixion, Golgotha, death by fire. And then it starts to fit into Apocalyptic vision. It was Abraxas if you like - the dark face and the light face. To look upon Abraxas is blindness. To know it is sickness. To worship it is death. To fear it is wisdom. To assist it not is redemption. I don't know what it means. I've never been able to work it out. You get a Pop Art Parallel. It was the Year of the Child, the place of Golgotha, the Place of the Skull, and the Ghost Train. You then get these events that are caused by plotting, not caring for kids, carelessness, living a human life - the way of the world.' - Martin Sharp, 4 March 1984
The Sixties – an era of protest, free love, civil disobedience, duffel coats, flower power, giant afros and desert boots, all recorded on grainy black and white film footage – marked a turning point for change. Radicals found their voices and used them. While the initial trigger for protest was opposition to the Vietnam War, this anger quickly escalated to include Aboriginal Land Rights, Women’s Liberation, Gay Liberation, Apartheid, Student Power and ‘workers’ control’. In Radicals some of the people doing the changing – including David Marr, Margret RoadKnight, Gary Foley, Jozefa Sobski and Geoffrey Robertson – reflect on how the decade changed them and Australian society f...
Martin Sharp was an integral part of international Pop Art in the 1960s, magnified through his covers for OZ magazine in Sydney and London, his covers for Cream, and posters of Dylan, Hendrix and Donovan. His efforts at making The Yellow House and Luna Park cultural precincts were aided by his screen prints and exhibitions to flaunt the work of others, especially the singer Tiny Tim. In this first of two volumes, Lowell Tarling offers us a way into the enigmatic and reclusive artist, through interviews with Sharp and all of his trusted friends, including artists Tim Lewis, Peter Kingston, Garry Shead, photographers Greg Weight, Jonny Lewis and William Yang, film-maker Phillippe Mora, actor L...
This study of Nevada’s brothels uses empirical data and sociological theory to situate the United States’ only legal brothel industry in the political economy of contemporary tourism. The personal accounts of sex workers make this a compelling read for students and those interested in the sex industry.
Principles of Human Evolution presents an in-depth introduction to paleoanthropology and the study of human evolution. Focusing on the fundamentals of evolutionary theory and how these apply to ecological, molecular genetic, paleontological and archeological approaches to important questions in the field, this timely textbook will help students gain a perspective on human evolution in the context of modern biological thinking. The second edition of this successful text features the addition of Robert Foley, a leading researcher in Human Evolutionary Studies, to the writing team. Strong emphasis on evolutionary theory, ecology and behavior and scores of new examples reflect the latest evoluti...
"Mr Foley's collection of Yellow House related material includes ephemera, audio visual items, artefacts, newspaper clippings, publications and posters."--Finding aid.
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