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Roswell is perhaps most famous for its alleged intergalactic visitors that may or may not have crashed here via flying saucer in 1947. However, some very real famous people have traversed and lived in Roswell, including singer John Denver and actress Demi Moore. During the turbulent Wild West days, Roswell was the stomping grounds of cattle baron John Chisum, sheriff Pat Garrett, and even his arch-nemesis, Billy the Kid. Among others to call Roswell home were Robert H. Goddard, the father of modern rocketry; baseball player Joe Bauman, who hit 72 home runs in one season; pro-golfer Nancy Lopez; Western superstar Roy Rogers; rodeo champion Bob Crosby; and Dallas Cowboys quarterback Roger Staubach.
The 37th edition of International Directory of Arts (IDA) contains more about 150,000 addresses (including telephone and fax numbers, eMail and URL) from all over the world: Museums and Public Galleries Universities, Academies, Schools Associations Art and Antique Trade, Numismatics Art and Antiques Fairs Galleries Auctioneers Restorers Art Publishers Art Journals Antiquarians and Art Booksellers Within each chapter, addresses are arranged by country and within country, sections are set our alphabetically by city. Details of the specializations of museums, as well as the names of curators and senior academic museum staff are also included. The address contents were revised and updated for this edition following a questionnaire mailing. The revision also took into account numerous national and international reference works. The eBookPLUS format comprises the content and search criteria of the printed edition and its indices, facilitating complex searches.
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Anne Burnett shows us the art of Bacchylides in the context of Greek lyric traditions. She discusses the beginnings of choral poetry and the functions of the choral myth; she describes the purposes of the victory song in particular and the practices of Bacchylides and Pindar as they fulfilled their victory commissions. In analyzing individual poems Burnett's approach is two-fold, for each ode is seen as a choral performance reflecting archaic cult practice, while it is also studied as the expression of a particular poetic vision and sensibility. Thus the formal elements of the Bacchylidean victory songs are recognized as the response of a chorus which must give semi-religious praise to a noble athlete or prize-winning prince in times of increasing democracy. At the same time an artistry and an ethic peculiar to Bacchylides are discovered in the manipulation of fictions and mythic materials.