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More than forty criminal heroes are examined in this volume. They include evil characters such as Dr. Fu Manchu, Li Shoon, Black Star, the Spider, Rafferty, Mr. Clackworthy, Elegant Edward, Big-nose Charlie, Thubway Tham, the Thunderbolt, the Man in Purple, and the Crimson Clown, plus many, many more! The development of these characters is traced across more than two decades of crime fiction published in Detective Story Magazine, Flynn's, Black Mask, and other magazines. The conventions that made these stories a special part of popular fiction are examined in detail.
Read an interview with Norbert Bachleitner. In this 200th volume of Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft the editors Norbert Bachleitner, Achim H. Hölter and John A. McCarthy ‘take stock’ of the discipline. It focuses on recurrent questions in the field of Comparative Literature: What is literature? What is meant by ‘comparative’? Or by ‘world’? What constitute ‘transgressions’ or ‘refractions’? What, ultimately, does being at home in the world imply? When we combine the answers to these individual questions, we might ultimately reach an intriguing proposition: Comparative Literature contributes to a sense of being at home in a world that is heterogeneous and fractured, rather than affirming a monolithic canon marked by territory and homogeneity. The volume unites essays on world literature, literature in the context of the history of ideas, comparative women and gender studies, aesthetics and textual analysis, and literary translation and tradition.
This book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries. Moralistic viewpoints were particularly important in eighteenth-century debates about German national theater. In Vienna, the idea that vernacular theater should cultivate the moral sensibilities of its German-speaking audiences became prominent during the reign of Empress Maria Theresa, when advocates of German plays and operas attempted to deflect the imperial government from supporting exclusively French and Italian theatrical performances. Morality continued to be a dominant aspect...
Trick-or-treating. Flower girls. Bedtime stories. Bar and bat mitvah. In a nation of increasing ethnic, familial, and technological complexity, the patterns of children's lives both persist and evolve. This book considers how such events shape identity and transmit cultural norms, asking such questions as: * How do immigrant families negotiate between old traditions and new? * What does it mean when children engage in ritual insults and sick jokes? * How does playing with dolls reflect and construct feelings of racial identity? * Whatever happened to the practice of going to the Saturday matinee to see a Western? * What does it mean for a child to be (in the words of one bride) "flower-girl material"? How does that role cement a girl's bond to her family and initiate her into society? * What is the function of masks and costumes, and why do children yearn for these accoutrements of disguise? Rituals and Patterns in Children's Lives suggests the manifold ways in which America's children come to know their society and themselves.
By focusing on Luise Gottsched's extraordinary volume and range of translations, Hilary Brown sheds an entirely new light on Gottsched and her oeuvre. Critics have paid increasing attention to the oeuvre of Luise Gottsched (1713-62), Germany's first prominent woman of letters, but have neglected her lifelong work of translation, which encompassed over fifty volumes and an extraordinary range, from drama and poetry to philosophy, history, archaeology, even theoretical physics. This first comprehensive overview of Gottsched's translations places them in the context of eighteenth-century intellectual, literary, and cultural history, showing that they were part of an ambitious, progressive progr...
Explores the hundred-year history of Piel Bros., one of the prominent German American brands that once made New York City the brewing capital of America. For more than a century, New York City was the brewing capital of America, with more breweries producing more beer than any other city, including Milwaukee and St. Louis. In Beer of Broadway Fame, Alfred W. McCoy traces the hundred-year history of the prominent Brooklyn brewery Piel Bros., and provides an intimate portrait of the companys German American family. Through quality and innovation, Piel Bros. grew from Brooklyns smallest brewery in 1884, producing only 850 kegs, into the sixteenth-largest brewery in America, brewing over a m...
In recent years, there has been considerable interest in highly integrated, low power, portable wireless devices. This monograph focuses on the problem of low power GFSK/GMSK modulation and presents an architectural approach for improved performance. Including several valuable tools for the practicing engineer.
This volume deals with the intellectual Huguenot Refuge (ca 1680–1780), discussing its philosophical, theological, historical, and literary aspects in European context. It uses Berlin as its regional point of departure: In the French-Protestant community of Berlin, the erudites rapidly established networks which pursued a very wide range of interest, communicating with every Protestant scholar who might contribute to the dissemination of Enlightened thought. The first part of the book, therefore, introduces the biggest and most complex centre of the Refuge in Germany. Whereas the second and third part examine different fields of knowledge, the fourth focusses on the topic of dissemination. All contributions present new material–be it on 'Huguenot' hermeneutics, journalism, history, or on the relationship between Berlin and the United Provinces. Contributors include: Lutz Danneberg, Joris van Eijnatten, Herbert Jaumann, John Christian Laursen, Fabrizio Lomonaco, Martin Mulsow, Fiammetta Palladini, Sandra Pott, and Annett Volmer.
Reveals eighteenth-century German comedies' inherent resistance -- through their depiction of alternative gender roles and sexual behavior -- to the emerging discourse of the sentimental marriage. J. C. Gottsched, who reformed early Enlightenment German theater, claimed for comedy the ability to transform morality. The new literary comedies of the 1740s, among the other moral goals that they pursued, propagated a new sentimental discourse promoting marriage based on love while devaluing its traditional socioeconomic foundations. Yet in comedies by well-known dramatists of the period such as Gottsched, Gellert, J. E. Schlegel, Lessing, and Quistorp, alternative gender roles and sexual behavio...