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PRECEDENTS IN ARCHITECTURE A TIMELY UPDATE OF THE ARCHITECTURAL CLASSIC ON DESIGN ANALYSIS Precedents in Architecture, Fourth Edition provides a vocabulary for architectural analysis that illuminates the works of leading architects and aids architects and designers in creating their own designs. Thirty-eight leading architects are represented in this updated edition through an analysis of more than 100 buildings that are assessed using a diagrammatic technique applicable to any building. This impressive collection includes fourteen new buildings and seven new, innovative architects distinguished by the strength, quality, and interest of their designs. It delivers valuable guidance in analyzing architectural history as an evolutionary process by exploring the commonality of design ideas reflected in a broad range of structures by internationally renowned architects. Both novices and seasoned professionals will find Precedents in Architecture, Fourth Edition to be a very useful tool for enriching their design vocabulary and for the ongoing assessment of buildings found in today’s evolving landscape.
Traces the evolution of Mitchell/Giurgola Architects from 1985 when the founders moved to Australia. Demonstrates the wide variety of work undertaken by the firm, from a variety of public and institutional work to corporate and commercial clients. One such project was the design of Parliament House, Canberra.
This book serves to shed some light on several controversial questions about contemporary interventions on religious heritage buildings. In the mid-1960s, a process of renewal of Catholic churches began, which sought to respond to the liturgical modifications implemented during the Vatican II (1962-65). Fifty years later, this process continues to be problematic in buildings with a high heritage or historical value. From an operational point of view, it is stimulating to revisit the most relevant architectures at the international level, those high-impact works that were generated thanks to an open and serene dialogue between principals, architects, users, artists and patrimonial leaders. Thus, it is essential to know the criteria that have supported interventions, whether legal (both ecclesiastical and civil), architectural, artistic, liturgical or pastoral. In this sense, what references could be used at a time like ours? How can we reform what has already been reformed?
Trajectories in Architecture: Plan, Sensation, Temporality presents a compelling examination of underlying issues in late-twentieth-century architecture. Three formal preoccupations and conceptual orientations are used as guiding threads or trajectories. These three trajectories – the plan as conceptual device, a logic of sensation, and temporalities – serve to organise individual chapters in the central sections of the book and provide a new lens to the study of period work, revealing architectural conditions and consequent spatial effects little explored to date. Trajectories in Architecture adds to scholarship and expands our understanding of the role of conceptual and formal criteria...
The first edition of Architecture, Power, and National Identity, published in 1992, has become a classic, winning the prestigious Spiro Kostof award for the best book in architecture and urbanism. Lawrence Vale fully has fully updated the book, which focuses on the relationship between the design of national capitals across the world and the formation of national identity in modernity. Tied to this, it explains the role that architecture and planning play in the forceful assertion of state power. The book is truly international in scope, looking at capital cities in the United States, India, Brazil, Sri Lanka, Kuwait, Bangladesh, and Papua New Guinea.
Describes 6 national park visitor centers built from 1956-1966 during the National Park Service's Mission 66 park development program. Includes a brief history of the Mission 66 program.
The phase of American architectural history we call 'mid-century modernism,' 1940-1980, saw the spread of Modern Movement tenets of functionalism, social service and anonymity into mainstream practice. It also saw the spread of their seeming opposites. Temples, arcades, domes, and other traditional types occur in both modernist and traditionalist forms from the 1950s to the 1970s. Hut Pavilion Shrine examines this crossroads of modernism and the archetypal, and critiques its buildings and theory. The book centers on one particularly important and omnipresent type, the pavilion - a type which was the basis of major work by Louis I. Kahn, Paul Rudolph, Philip Johnson, Minoru Yamasaki, and othe...
Flourishing from 1951 to 1965, the Philadelphia School was an architectural golden age that saw a unique convergence of city, practice, and education, all in renewal. And it was a bringing together of architecture, city and regional planning, and landscape architecture education under the leadership of Dean G. Holmes Perkins. During that time at the architecture school at the University of Pennsylvania (known as the Graduate School of Fine Arts or GSFA), Louis Kahn and Robert Venturi were transforming modern architecture; Romaldo Giurgola was applying continental philosophy to architectural theory; Robert Le Ricolais was building experimental structures; Ian McHarg was questioning Western ci...
Capital city status attracts and drives tourism by enhancing a city's appeal to the tourist and its international standing. With a focus on city tourism themes, this book examines subjects including the identity of a city in a tourism context and practical matters such as promoting the city as a product. By examining tourist activities in national capitals, the book addresses issues in capital city development as tourist destinations with a broad, international approach and case studies on major tourist cities.
The Theory of Architecture Concepts, Themes & Practices Paul-Alan Johnson Although it has long been thought that theory directs architectural practice, no one has explained precisely how the connection between theory and practice is supposed to work. This guide asserts that architectural theory does not direct practice, but is itself a form of reflective practice. Paul-Alan Johnson cuts through the jargon and mystery of architectural theory to clarify how it relates to actual applications in the field. He also reveals the connections between new and old ideas to enhance the reader's powers of critical evaluation. Nearly 100 major concepts, themes, and practices of architecture--as well as th...