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The Architecture of East Australia
The story of Australian architecture might be said to parallel the endeavours of Australians to adapt & reconcile themselves with their home & neighbours. It is the story of 200 years of coming to terms with the land: of adaptation, insight & making do. Early settlers were poorly provisioned, profoundly ignorant of the land & richly prejudiced towards its peoples. They pursued many paths over many terrains. From the moist temperate region of Tasmania with heavy Palladian villas to the monsoonal north with open, lightweight stilt houses, the continent has induced most different regional building styles.
Architectural Actions on the Religious Heritage after Vatican II
This book serves to shed some light on several controversial questions about contemporary interventions on religious heritage buildings. In the mid-1960s, a process of renewal of Catholic churches began, which sought to respond to the liturgical modifications implemented during the Vatican II (1962-65). Fifty years later, this process continues to be problematic in buildings with a high heritage or historical value. From an operational point of view, it is stimulating to revisit the most relevant architectures at the international level, those high-impact works that were generated thanks to an open and serene dialogue between principals, architects, users, artists and patrimonial leaders. Thus, it is essential to know the criteria that have supported interventions, whether legal (both ecclesiastical and civil), architectural, artistic, liturgical or pastoral. In this sense, what references could be used at a time like ours? How can we reform what has already been reformed?
The Philadelphia School and the Future of Architecture
Flourishing from 1951 to 1965, the Philadelphia School was an architectural golden age that saw a unique convergence of city, practice, and education, all in renewal. And it was a bringing together of architecture, city and regional planning, and landscape architecture education under the leadership of Dean G. Holmes Perkins. During that time at the architecture school at the University of Pennsylvania (known as the Graduate School of Fine Arts or GSFA), Louis Kahn and Robert Venturi were transforming modern architecture; Romaldo Giurgola was applying continental philosophy to architectural theory; Robert Le Ricolais was building experimental structures; Ian McHarg was questioning Western ci...
Mission 66 Visitor Centers
Describes 6 national park visitor centers built from 1956-1966 during the National Park Service's Mission 66 park development program. Includes a brief history of the Mission 66 program.
Makers of 20th-Century Modern Architecture
Makers of 20th-Century Modern Architecture is an indispensable reference book for the scholar, student, architect or layman interested in the architects who initiated, developed, or advanced modern architecture. The book is amply illustrated and features the most prominent and influential people in 20th-century modernist architecture including Wright, Eisenman, Mies van der Rohe and Kahn. It describes the milieu in which they practiced their art and directs readers to information on the life and creative activities of these founding architects and their disciples. The profiles of individual architects include critical analysis of their major buildings and projects. Each profile is completed by a comprehensive bibliography.
Why Architecture Matters
A classic work on the joy of experiencing architecture, with a new afterword reflecting on architecture’s place in the contemporary moment “Architecture begins to matter,” writes Paul Goldberger, “when it brings delight and sadness and perplexity and awe along with a roof over our heads.” In Why Architecture Matters, he shows us how that works in examples ranging from a small Cape Cod cottage to the vast, flowing Prairie houses of Frank Lloyd Wright, from the Lincoln Memorial to the Guggenheim Bilbao. He eloquently describes the Church of Sant’Ivo in Rome as a work that “embraces the deepest complexities of human imagination.” In his afterword to this new edition, Goldberger addresses the current climate in architectural history and takes a more nuanced look at projects such as Thomas Jefferson’s academical village at the University of Virginia and figures including Philip Johnson, whose controversial status has been the topic of much recent discourse. He argues that the emotional impact of great architecture remains vital, even as he welcomes the shift in the field to an increased emphasis on social justice and sustainability.
A Lebanese Perspective
An outstanding collection of contemporary residential, commercial and public architecture by Lebanese architect Simone Kosremelli. Features stunning photography, detailed plans and sections, and insightful descriptive text by Sylvia Shorto, Assistant Professor at the American University of Beirut. For the past 30 years, Simone Kosremelli has produced an architecture known for its character and its outstanding quality. Volumetrically complex internally, and visually coherent externally, her work is rooted in the Lebanese vernacular but it is not constrained by the past. Rather, her designs incorporate vernacular elements in modern arrangements, encouraging the natural continuation of a local ...
Trajectories in Architecture
Trajectories in Architecture: Plan, Sensation, Temporality presents a compelling examination of underlying issues in late-twentieth-century architecture. Three formal preoccupations and conceptual orientations are used as guiding threads or trajectories. These three trajectories – the plan as conceptual device, a logic of sensation, and temporalities – serve to organise individual chapters in the central sections of the book and provide a new lens to the study of period work, revealing architectural conditions and consequent spatial effects little explored to date. Trajectories in Architecture adds to scholarship and expands our understanding of the role of conceptual and formal criteria...
Gordon Bunshaft and SOM
This nuanced portrait of Gordon Bunshaft and his work for the architecture firm SOM explores his role in defining the built aesthetic of corporate America.
