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Shades of Meaning: Shadows in Medieval Manuscript Illumination
Are there shadows in medieval art? Studies on the role of shadows in art history have either glanced over or ignored the medieval period, yet people of the Middle Ages certainly saw and thought about shadows and recorded their ideas about these phenomena in texts and images. This book examines references to shadows in science, religion, and folklore of the Middle Ages. Through the lens of fifteenth-century manuscript painting, it investigates visual, metaphorical, and supernatural shadows in art to discover what shadows meant to the medieval viewer.
A Preface to Chaucer
What were the medieval stylistic, aesthetic, and literary conventions that Chancer drew upon and knew that his audience would understand? In this rich study Mr. Robertson has included 118 illustrations-of medieval sculpture, cathedral interiors, illuminated manuscripts, paintings, ornamental devices and decorations-to show how these conventions affected the visual arts of Chaucer's time. Special attention is directed to fundamental differences between medieval and modern attitudes toward poetry, and to the significance of these differences for an approach to medieval art. By placing Chaucer fully in his own time, Mr. Robertson establishes new perspectives for understanding Chaucer’s poetry...
Cimelia
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The Arts of Disruption
This volume offers original readings of Piers Plowman and rethinks the genre of allegorical narrative in the Middle Ages. It presents five studies of allegorical narratives with implications for different aspects of medieval culture.
Le Roman de la Manekine
Le Roman de la Manekine marks the beginning of its author's literary career. Philippe de Remi, on whom much attention has focused in the last two decades, was an unusual figure: a 13th-century land-holder and professional administrator who loved literature and who produced a large and varied corpus of narrative and lyric. Here is presented for the first time since 1884 a scholarly edition of Philippe's first romance, a tale centering on a heroine of great courage and integrity who passes through many trials without losing hope. The text is accompanied by a line-by-line English version, and by extensive commentary touching on the author, his milieu, and the literary context and major themes of the romance. Studies of the manuscript (Paris BNF fr 1588), its illustrations (all of them reproduced), and its history, have been provided by Alison Stones and Roger Middleton. The volume should be of interest to specialists in medieval French literature, to general readers who find English translations useful, and to scholars in the fields of medieval art and manuscript history.
Debating the Roman de la Rose
Around the year 1400, the poet Christine de Pizan initiated a public debate in France over the literary "truth" and merit of the Roman of the Rose, perhaps the most renowned work of the French Middle Ages. She argued against what she considered to be misrepresentations of female virtue and vice in the Rose. Her bold objections aroused the support and opposition of some of the period’s most famous intellectuals, notable Jean Gerson, whose sermons on the subject are important literary documents. "The Quarrel of the Rose" is the name given by modern scholars to the collection of these and other documents, including both poetry and letters, that offer a vivid account of this important controversy. As the first dual-language version of the "Quarrel" documents, this volume will be of great interest to medievalists and an ideal addition to the Routledge Medieval Texts series. Along with translations of the actual debate epistles, the volume includes several relevant passages from the Romance of the Rose, as well as a chronology of events and ample biography of source materials.
