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Reading and Writing Subjects in Medieval and Golden Age Spain
This collection of articles honoring Ronald E. Surtz is number 46 in the Homenajes series from Juan de la Cuesta Hispanic Monographs.
The Guitar of God
Until recently, Spanish literary historiography has virtually ignored hundreds of women who wrote between 1500 and 1700. Most of them wrote to record, defend, and disseminate their spiritual visions, for despite the general disempowerment of Spanish women, female visionaries enjoyed considerable authority. This book recovers and examines the visionary experiences of Mother Juana de la Cruz, the most famous of these women during her lifetime and for two centuries afterwards. Born of peasant stock, she became abbess of a Franciscan convent and a mystic who was visited not only by Cardinal Cisneros, but by Emperor Charles V himself. Ronald E. Surtz places Mother Juana's visions in the religious and social context of the age and discusses such pertinent biographical elements as the nun's own androgyny. His focus is on the questions of gender, power, and authority, so pertinent to our own age. The Guitar of God will be of particular interest to scholars and students of late medieval Spanish culture, religion, and history, and women's studies.
Writing Women in Late Medieval and Early Modern Spain
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Queen Isabel I of Castile
The Queen who shaped the music, literature, architecture, and painting of late medieval Spain. This multidisciplinary volume was inspired by the quincentenary of the death of Queen Isabel I of Castile, early modern Europe's first powerful queen regnant. Comprising work by distinguished art historians, musicologists, historians, and literary scholars from England, Spain, and the United States, it begins with a theoretical examination of medieval queenship itself that argues - against the grain of the volume - for its inseparability from kingship. Several essays examine the complex ways in which the Queen and her advisers shaped the music, literature, architecture, and painting of fifteenth-ce...
Performing the Sacred: Christian Representation and the Arts
What does 'performance' mean in Christian culture? How is it connected to rituals, dramatic and visual arts, and the written word? This book addresses the issue from the Middle Ages to the Modern era and showcases examples of how Christians have represented their biblical narrative.
Believe Not Every Spirit
From 1400 through 1700, the number of reports of demonic possessions among European women was extraordinarily high. During the same period, a new type of mysticism—popular with women—emerged that greatly affected the risk of possession and, as a result, the practice of exorcism. Many feared that in moments of rapture, women, who had surrendered their souls to divine love, were not experiencing the work of angels, but rather the ravages of demons in disguise. So how then, asks Moshe Sluhovsky, were practitioners of exorcism to distinguish demonic from divine possessions? Drawing on unexplored accounts of mystical schools and spiritual techniques, testimonies of the possessed, and exorcism...
