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Originally published in 1969, The Death of the Novel and Other Stories remains among the most memorable creations of an unforgettable age. Irrepressibly experimental in both content and form, these anti-fictions set out to rescue experience from its containment within artistic convention and bourgeois morality. Equal parts high modernist aesthete and borscht belt comedian, Sukenick joins avant-garde art with street slang and cartoons, expressing his generation's anxieties by simultaneously mocking and validating them. These are original works by a writer who will try absolutely anything.
A novel that marks the end of a generation of hope without giving in to hopelessness A group of people, trying to contend with the failure of hope that took place at the end of the sixties, withdraws from what they call "The Dynasty of the Million Lies" and creates a settlement in the woods of the far west. These refugees from our culture, trying to live a healthy, normal life as pioneers of a latter-day frontier, find they are forced to pay heavily for their retreat in terms of sexuality, death and insanity. The novel consists of three parts: "Frankenstein", "The Children of Frankenstein" and "Palestine." The first section is a disjointed documentary collage expressing the violent chaos of the culture, the second is a narrative about the settlement with its communal and sexual experimentation, and the third, "Palestine," is a utopian vision of Israel that takes place on a perfect kibbutz in which all problems are solved.
A fantasy novel on a Jew seeking his identity, following him in various situations. In one, he participates in a bombing raid on present-day France, which is controlled by fascists, in another he is in Israel seeking the Golden Calf.
The author himself is the main character of this book, in which he glides undisturbed from present to future, from reality to fantasy. Sometimes he's an adolescent Brooklynite, at other times a part-time English teacher, a struggling writer living in a Lower East Side tenement, or a fantasist deftly moving in and out of numerous alter egos. **Lightning Print On Demand Title
These "narralogues" combine story and argument, moving from Socratic dialogue to outright narrative, and ultimately making the case that fiction is a medium for telling the truth.
In Musing the Mosaic prominent critics of postmodern and contemporary fiction and culture discuss the fictional and theoretical works of Ronald Sukenick, one of the most important American writers to emerge from the late 1960s. Sukenick has been a prolific participant in reshaping the American literary tradition for two generations and played a pivotal role in the creation and growth of the Fiction Collective and FC2 publishing houses, as well as the journals American Book Review and Black Ice Magazine. In his work he argues that contemporary fiction can neither perform traditional functions nor rely on any conventions in an ever-more dynamic world. Staying true to Sukenick's own creative style, one that takes the seams out of writing before re-stitching it in ways that are truly novel, the contributors examine how and why his writing comes closer to the dissolving, fragmentary nature of reality and its lack of closure than perhaps anything written before it.
Formmust never be taken for granted, but must be created as the work itself is shaped: "The writer works not from a priori ideas about what will happen and what form it will take, but in and through the text." Sukenick, one of our most original contemporary novelists, describes these essays as "the comments of a fiction writer about writing, not those of a critic on what has been written. They are more or less reports on experience--those of one engaged in the ongoing struggle with the angel of form, rather than of one studying its consequences from a cool distance: 'in form, ' not 'on form.'" The difficulty of creative works no longer accessible to traditional reading habits has threatened us with an age of criticism in which interpretation has become more imposing than invention. One of the tasks of modern fiction, therefore, is "to displace, energize, and re-embody its criticism--literally to reunite at with our experience of the text."
An unflinching and riveting meditation on the pain that attends every facet of existence--love and sacrifice and intimacy and beauty--a biography of torture
WINNER OF FC2’S RONALD SUKENICK INNOVATIVE FICTION PRIZE A novel about two teenage lovers who disrupt a World War II internment camp in Arizona Kane Araki and Margaret Morri are not only the names of teenage lovers living in a World War II Japanese relocation camp. Kane Araki is also the name of a man who, mysteriously, sprouts a pair of black raven’s wings overnight. Margaret Morri is the name of the aging healer who treats embarrassing conditions (smelly feet and excessive flatulence). It’s also the name of an eleven-year-old girl who communes with the devil, trading human teeth for divine wishes. In The Book of Kane and Margaret, dozens of Kane Arakis and Margaret Morris populate the Canal and Butte camp divisions in Gila River. Amidst their daily rituals and family dramas, they find ways to stage quiet revolutions against a domestic colonial experience. Some internees slip through barbed wire fences to meet for love affairs. Others attempt to smuggle whiskey, pornography, birds, dogs, horses, and unearthly insects into their family barracks. And another seeks a way to submerge the internment camp in Pacific seawater.