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The Italian Tragedy in the Renaissance
This book is about the Renaissance revitalization of classical drama. Using a cultural and theatrical approach, it shows how Italian playwrights made ancient tragedy relevant to their audiences. The book challenges the traditional critical approach to the Italian Renaissance tragedy as a mere literary work, and calls attention to the complementary function of the theatrical text, which is 'reconstructed' from the stage directions embedded in the discourse of the characters.
Writing and Rewriting National Theatre Histories
Historians of theatre face the same temptations and challenges as other historians: they negotiate assumptions (their own and those of others) about national identity and national character; they decide what events and actors to highlight--or omit--and what framework and perspective to use for telling the story. Personal biases, trends in scholarship, and sociopolitical contexts influence all histories; and theatre histories, too, are often revised to reflect changing times and interests. This significant collection examines the problems and challenges of formulating national theatre histories.The essayists included here--leading theatre scholars from all over the world, many of whom wrote e...
Handbook for Biblical Interpretation
This handbook provides a comprehensive guide to methods, terms, and concepts used by biblical interpreters. It offers students and non-specialists an accessible resource for understanding the complex vocabulary that accompanies serious biblical studies. Articles, arranged alphabetically, explain terminology associated with reading the Bible as literature, clarify the various methods Bible scholars use to study biblical texts, and illuminate how different interpretive approaches can contribute to our understanding. Article references and topical bibliographies point readers to resources for further study. This handbook, now updated and revised to be even more useful for students, was previously published as Interpreting the Bible: A Handbook of Terms and Methods. It is a suitable complement to any standard hermeneutics textbook.
Representing the Past
"Representing the Past is required reading for any serious scholar of theatre and performance historiography: original in its conception, global in its reach, thought-provoking and transformative in its effects."---Gay Gibson Cima, author, Early American Women Crities: Performance, Religion, Race --
Theatre
Theatre is one of the longest-standing art forms of modern civilization. Taking a global look at how various forms of theatre - including puppetry, dance, and mime - have been interpreted and enjoyed, this book explores all aspects of the theatre, including its relationship with religion, literature, and its value worldwide.
The Roots of Theatre
The topic of the origins of theatre is one of the most controversial in theatre studies, with a long history of heated discussions and strongly held positions. In The Roots of Theatre, Eli Rozik enters the debate in a feisty way, offering not just another challenge to those who place theatre’s origins in ritual and religion but also an alternative theory of roots based on the cultural and psychological conditions that made the advent of theatre possible. Rozik grounds his study in a comprehensive review and criticism of each of the leading historical and anthropological theories. He believes that the quest for origins is essentially misleading because it does not provide any significant in...
Cornish Literature
This admirable survey...compact, smoothly written, easy to read and digest, yet indicative throughout of profound scholarship and an obvious mastery of the field, Cornish Literatureprovides an enduring guide to this small but significant genre. The three Middle Cornish plays -- in English titles, The Creation of the World, Life of St Meriasekand the tripartite Ordinalia -- accompany a long Pascon agan Arluth, a verse Passion of our Lord' and the odd fragment... His last chapter, Survivals and Revivals', is a fair but detached account covering a long (1611 to 1992) phase that will also interest sociologists. The chief strength of his book is the textual analysis of the main plays, placing them alongside medieval English drama as well as the larger European manifestation of religious drama and the complex question of all their biblical and quasi-biblical sources. There is a useful bibliography. Modestly priced, Brian Murdoch's scholarly and attractive guide should appeal to many beyond medievalist circles; it will not be superseded for a long time.' THE TIMES LITERARY SUPPLEMENT BRIAN MURDOCHis head of the Department of German at Stirling University.
The Cambridge Companion to Medieval English Theatre
A comprehensive, illustrated companion to the perennially popular drama of the English Middle Ages.
Writing the History of the British Stage
A study of British theatre historiography, from its origins in the Restoration to its development as an academic discipline in the twentieth century.
The Implied Author
This book addresses itself to the concept of the implied author, which has been the cause of controversy in cultural studies for some fifty years. The opening chapters examine the introduction of the concept in Wayne C. Booth’s “Rhetoric of Fiction” and the discussion of the concept in narratology and in the theory and practice of interpretation. The final chapter develops proposals for clarifying or replacing the concept.
