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Brendan
The play asks: Who has the power to say what is art and what is pornography? What is crime? What is punishment? These themes create a suspense that terrorizes the audience...It takes courage to write such a play. Lee Blessing is a brilliant writer. The tro Whether you fall into the 'pro' or 'no' column when it comes to George W. Bush, the setup for WHEN WE GO UPON THE SEA...is bound to spark an immediate response. --NY Daily News. ...it's about power and servitude, God and his absence, and what we allow to st
The Atheist
[Rosenstock's] subtly funny dialogue and the vivid, truthful characters keep the play grounded in prickly emotional authenticity. --NY Times. An offbeat and nuanced comedy...Rosenstock finds fresh humor and anguish in two outrageously troubled suburban fa
The Blowin of Baile Gall
Beautifully written...a story of nature and change. --Talkin' Broadway. A lovely play which will leave you with a lot to think about. --CurtainUp. Funny, moving and witty. --Metroland (Boston).
Modern Irish Drama
Modern Irish Drama: W. B. Yeats to Marina Carr presents a thorough introduction to the recent history of one of the greatest dramatic and theatrical traditions in Western culture. Originally published in 1988, this updated edition provides extensive new material, charting the path of modern and contemporary Irish drama from its roots in the Celtic Revival to its flowering in world theater. The lives and careers of more than fifty modern Irish playwrights are discussed along with summaries of their major plays and recommendations for further reading.
The Smuggler
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Other People's Diasporas
With the economic rise of the "Celtic Tiger" in the 1990s, Irish culture was deeply impacted by a concurrent rise in immigration. A nation tending to see itself as a land of emigrants suddenly saw waves of newcomers. In this book, Moynihan takes as her central question a formulation by sociologist Steve Garner: "What happens when other people’s diasporas converge on the homeland of diasporic people?" Approaching the question from a cultural rather than a sociological vantage point, Moynihan delves into fiction, drama, comedy, and cinema since 1998 to examine the various representations of and insights into race relations. "Other People’s Diasporas" draws upon the recent fiction of Joseph O’Connor, Roddy Doyle, and Emma Donoghue; films directed by Jim Sheridan and Eugene Brady; drama by Donal O’Kelly and Ronan Noone; and the comedy of Des Bishop to present a highly original and engaging exploration of contemporary Irish discourses on race.
Irish Theater in America
For over 150 years, Irish playwrights, beginning with Dion Boucicault, have been celebrated by American audiences. However, Irish theater as represented on the American stage is a selective version of the national drama, and the underlying causes for Irish dramatic success in America illuminate the cultural state of both countries at specific historical moments. Irish Theater in America is the first book devoted entirely to the long history of this transatlantic exchange. Born out of the conference of the Irish Theatrical Diaspora project, this collection gathers together leading American and Irish scholars, in addition to established theater critics. Contributors explore the history of Iris...
Sonia Flew
THE STORY: When Sonia learns of her son's decision to leave college, enlist in the military and fight against terror in Afghanistan in the weeks following 9/11, memories of her own childhood overwhelm her. She struggles to reconcile being forced as
Engendering Ireland
Engendering Ireland is a collection of ten essays showcasing the importance of gender in a variety of disciplines. These essays interrogate gender as a concept which encompasses both masculinity and femininity, and which permeates history and literature, culture and society in the modern period. The collection includes historical research which situates Irish women workers within an international economic context; textual analysis which sheds light on the effects of modernity on the home and rising female expectations in the post-war era; the rediscovery of significant Irish women modernists such as Mary Devenport O’Neill; and changing representations of masculinity, race, ethnicity and interculturalism in modern Irish theatre. Each of these ten essays provides a thought-provoking picture of the complex and hitherto unrecognised roles gender has played in Ireland over the last century. While each of these chapters offers a fresh perspective on familiar themes in Irish gender studies, they also illustrate the importance and relevance of gender studies to contemporary debates in Irish society.
Theatre World 2008-2009
Scenes from the plays and portraits of leading actors accompany a statistical record of the current season
