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Henri Lord lives his life trying to manage mountaineering, money and his own sexuality, while death keeps stalking his decisions. Only when trying to emulate his mountaineering parents can Henri find stability within himself. Climbing brings him joy and peace of mind. His professional career as a financial investor excites him with a passion, especially with other peoples money. However, there is always additional financial pressure as Henri can not understand or accept the Lord family culture of primogeniture, and he desperately wants his share of the family fortune. As he struggles to find himself Henri has to overcome his uncertainty about his own sexuality. Eventually, out of the chaos of his indecisions, Henri tries to act in accordance with the traditions of the Lord family, helped by his sister Giselle. Events involving Henri, the Lord family, murder and mayhem climax in London at the end of the millennium.
Set in the 1950s, 'Tomorrow may never come' follows the story of Lieutenant Simon Harrison sent to fight in Korea during the war, leaving his wife Lisa to adapt to army life.
Martin Packard is an extraordinary man who has led an extraordinary life. An idealist and a man of liberal instincts, his enthusiasms resulted in him having an inside track in several major events of recent decades, including the coup and bloody dictatorship in Greece and the unravelling of the Soviet Union. Easy going, warm and generous with his friendship, his life story is a ripping read. – Peter Murtagh, journalist and author of The Rape of Greece (Simon & Schuster, London, 1994) His story needed telling. – Peter Preston, editor of The Guardian 1975-1995 This gripping biography is a classic tale of fact being stranger than fiction. Martin Packard was an incurable romantic who thought...
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The Glengarry Collection contains 164 Slow Airs, Marches, Strathspeys, Reels, Jigs and Hornpipes with Stories, History and Photographs. It focuses on the coreof Aonghas' music: Highland fiddling, with its links to pipe tunes andGaelic songs. Some of these tunes have never been published before, while others are available only in out-of-print books or in pipe settings, and the collection also includes a number of tunes composed by Aonghas himself, andtunes composed in honor of Aonghas. The tunes are fully chorded in a style appropriate to Aonghas' band experience. All these are richly illustrated by transcriptions of Aonghas' bowings, grace-notes, stories, and photos of scenes and people from Aonghas' varied life careers, including old family photos. Finally, there is an accompanying online videos of Aonghas' impromptu and passionateperformances of 61 of the tunes in the collection. Inlcudes access to online video
Few published collections of Gaelic song place the songs or their singers and communities in context. Brìgh an Òrain - A Story in Every Song corrects this, showing how the inherited art of a fourth-generation Canadian Gael fits within biographical, social, and historical contexts. It is the first major study of its kind to be undertaken for a Scottish Gaelic singer. The forty-eight songs and nine folktales in the collection are transcribed from field recordings and presented as the singer performed them, with an English translation provided. All the songs are accompanied by musical transcriptions. The book also includes a brief autobiography in Lauchie MacLellan's entertaining narrative style. John Shaw has added extensive notes and references, as well as photos and maps. In an era of growing appreciation of Celtic cultures, Brìgh an Òrain - A Story in Every Song makes an important Gaelic tradition available to the general reader. The materials also serve as a unique, adaptable resource for those with more specialized research or teaching interests in ethnology/folklore, Canadian studies, Gaelic language, ethnomusicology, Celtic studies, anthropology, and social history.
The ancient Celtic tradition has taken the modern world by storm. Over the past decade seekers have collected all things Celtic-books, art, music, toys, clothing. But how much of it is authentic or lasting? In this highly distinctive book, June Sawyers has culled from a diverse pool of sources to offer readers a weekly dose of Celtic wisdom and witness. Beyond the famous trio of Patrick, Brigid, and Brendan, contemporary seekers will find kindred souls in famous and not-so-famous saints, prophets, martyrs, and poets who make up the fabric of the Celtic tradition. This book features short entries describing the lives, temptations, insights, and struggles of Celtic saints but also Celtic proph...
When the last 36 inhabitants of St Kilda, 40 miles west of the Scottish Hebrides, were evacuated in 1930, the archipelago at 'the edge of the world' lost its permanent population after five millennia. It has long been accepted that the islanders' failure to adapt to the modern world was its demise. Andrew Fleming overturns the traditional view. Unafraid of highlighting dark times, he shows how they sacrificed their reputation as an uncorrupted, ideal society to embrace and exploit the tourist trade. Creating a prestigious tweed, exporting the ancestors of today's Hebridean sheep, the islanders gained access to consumer goods and learned how to play politics to their advantage. This book tells the absorbing and eventful story of St Kilda from up to the evacuation and its aftermath. Previously untapped sources and fresh insights bring to life the personalities, feelings, attitudes and rich culture of the islanders themselves, as well as the numerous outsiders who engaged with the remote island community.
James II. and VII. died on 5th September 1701 (16th Sept. N.S.), and immediately on his death LouisXIV. acknowledged his son as king, and promised to further his interests to the best of his power. The first opportunity of putting the altruistic intention of the King of France into operation occurred within a year of King James’s death, and the evil genius of the project was Simon Fraser, the notorious Lord Lovat. Lovat, whose scandalous conduct had shocked the people of Scotland, was outlawed by the courts for a criminal outrage, and fled to France in the summer of 1702. There, in spite of the character he bore, he so ingratiated himself with the papal nuncio that he obtained a private au...