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Stories for Chip brings together outstanding authors inspired by a brilliant writer and critic, Science Fiction Writers of America Grandmaster Samuel R. "Chip" Delany. Award-winning SF luminaries such as Michael Swanwick, Nalo Hopkinson, and Eileen Gunn contribute original fiction and creative nonfiction. From surrealistic visions of bucolic road trips to erotic transgressions to mind-expanding analyses of Delany's influence on the genre—as an out gay man, an African American, and possessor of a startlingly acute intellect—this book conveys the scope of the subject's sometimes troubling, always rewarding genius. Editors Nisi Shawl and Bill Campbell have given Delany and the world at large, a gorgeous, haunting, illuminating, and deeply satisfying gift of a book.
An all-out drug war explodes in 1970s Detroit when a young Vietnam veteran decides to rip off heroin kingpin Willis McDaniel. In the chaos, rival outfits, the Mafia, and even junkies themselves try to step in to fill the void while one lone assassin tries to hunt them all down—and one determined cop tries to stop it all.
What would you do for the perfect sandwich? Kill? Die? Well, if you were a rogue angel, you might cause the Apocalypse. And it looks like that's just what this darkly funny fantasy's rogue angel is about to do when he lands in a polygamist cult in Utah. Now it's up to the rest of God's divine posse, including Jesus and Lucifer, to save all of existence from certain destruction. In his debut novel, Brett Cottrell takes you on a provocative, celestial roller coaster ride that will have you laughing on the edge of your seat all the way to the gates of Hell.
Hannah Dow's debut poetry collection, Rosarium, is a series of beautiful interrogations. In precise, luminous language, Dow engages the mysteries of faith as a catalyst for meditations on the contradictory human condition--our knot of body and spirit. These poems engage the inexplicable, attempting to articulate the tension between doubt and a longing for certainty, between belief in the potency of language and acceptance of its failures. Yet these lyrics never evaporate into abstraction. They pulse with the particular. Postcards that read as prayers (spoken without hope of response) lead us around the corporeal world through vastly different landscapes--from Mississippi, to California, to Europe, to the Middle East--showing how place shapes us, how the mind cannot escape the body.
How science fiction has been a tool for understanding and living through rapid technological change. The world today seems to be slipping into a science fiction future. We have phones that speak to us, cars that drive themselves, and connected devices that communicate with each other in languages we don't understand. Depending the news of the day, we inhabit either a technological utopia or Brave New World nightmare. This volume in the MIT Press Essential Knowledge surveys the uses of science fiction. It focuses on what is at the core of all definitions of science fiction: a vision of the world made otherwise and what possibilities might flow from such otherness.
For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the sixteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others.
Winner, 2021 Katherine Singer Kovács Book Award, given by the Society for Cinema and Media Studies Winner, 2021 Will Eisner Comic Industry Awards for Best Academic/Scholarly Work Honorable Mention, 2021 Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, given by the Popular Culture Association Winner, 2020 Charles Hatfield Book Prize, given by the Comic Studies Society Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its head Revealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Reb...
Rabaka explores funk as a distinct multiform of music, aesthetics, politics, social vision, and cultural rebellion that has been remixed and continues to influence contemporary Black popular music and Black popular culture, especially rap music and the Hip Hop Movement. The Funk Movement was a sub-movement within the larger Black Power Movement and its artistic arm, the Black Arts Movement. Moreover, the Funk Movement was also a sub-movement within the Black Women’s Liberation Movement between the late 1960s and late 1970s, where women’s funk, especially Chaka Khan and Betty Davis’s funk, was understood to be a form of “Black musical feminism” that was as integral to the movement a...
"The best thing about Steampunk is getting to rewrite history." Or so a reviewer said in commenting about Geared Up Writing Steampunk. But author Beth Daniels totally agrees with them! In this, the 3rd edition of the book, she adds a few more elements to the fun PLUS expands the listing of Steampunk publishers from 36 to 43, many of them new to the volume with no longer valid ones dropped. Since the first edition back in 2010, this has been the only volume to focus solely on writing Steampunk fiction and building the Steampunk stage on which characters play. Steampunk is, without a doubt, the most fun a historian in love with the 19th century can have since this is enhancement rewriting of what events might have been if technology got an extra boost a bit earlier. Reviewers say: "...just plain fun to read," "...essential to anyone wanting to [dip] their toe into writing steampunk. It is told in a no nonsense yet humorous way and gave invaluable info." "Inspirational. Must read again with notepad and pen."
Texts written by Southeast Asian migrants have often been read, taught, and studied under the label of multicultural literature. But what if the ideology of multiculturalism—with its emphasis on authenticity and identifiable cultural difference—is precisely what this literature resists? Transitive Cultures offers a new perspective on transpacific Anglophone literature, revealing how these chameleonic writers enact a variety of hybrid, transnational identities and intimacies. Examining literature from Malaysia, Singapore, and the Philippines, as well as from Southeast Asian migrants in Canada, Hawaii, and the U.S. mainland, this book considers how these authors use English strategically, as a means for building interethnic alliances and critiquing ruling power structures in both Southeast Asia and North America. Uncovering a wealth of texts from queer migrants, those who resist ethnic stereotypes, and those who feel few ties to their ostensible homelands, Transitive Cultures challenges conventional expectations regarding diaspora and minority writers.