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Microbiologia Geral e de Alimentos
A microbiologia é a ciência que estuda os microrganismos, popularmente chamados de germes ou micróbios, os quais somente são visualizados através do microscópio. Como ciência, a microbiologia surgiu com a criação do microscópio, inventado pelo holandês Antony Van Leeuwenhoek em 1674. Ele observou seres microscópicos em amostras de solo, saliva e fezes, e os chamou de "animálculos". A partir daí surgiram duas teorias controversas: a teoria da geração espontânea ou teoria da abiogênese na qual se acreditava que os "animálculos" se originavam da composição de plantas e tecidos de diversos animais. E a teoria da biogênese, defendida pelo cientista francês Louis Pasteur, qu...
Doing Business in 2004
A co-publication of the World Bank, International Finance Corporation and Oxford University Press
Soft Water Hard Stone
The official catalogue for the 2021 New Museum Triennial, a global survey of today's up-and-coming artists. The New Museum's Triennial, curated by Jamilla James and Margot Norton, is a signature survey of emerging artists from around the world. In this moment of profound change, where structures once thought to be stable have been revealed to be precarious, the 2021 Triennial showcases 40 artists and collectives reimagining traditional models, materials, and techniques beyond established institutional paradigms. Their works explore states of transformation, calling attention to the malleability of structures and the fluid and adaptable potential of both technological and organic media.00Exhibition: New Museum, New York, USA (10.07.2021 - 01.23.2022).
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Digital Services in International Trade Law
The first comprehensive analysis of the applicability of international trade law to digital services at multilateral and regional levels.
Convict Voices
In this lively study of the development and transformation of voices of female offenders in nineteenth-century England, Anne Schwan analyzes a range of colorful sources, including crime broadsides, reform literature, prisoners' own writings about imprisonment and courtroom politics, and conventional literary texts, such as Adam Bede and The Moonstone. Not only does Schwan demonstrate strategies for interpreting ambivalent and often contradictory texts, she also provides a carefully historicized approach to the work of feminist recovery. Crossing class lines, genre boundaries, and gender roles in the effort to trace prisoners, authors, and female communities (imagined or real), Schwan brings ...
