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The Gernsheim Collection
Winner, Alfred H. Barr Jr. Award, College Art Association, 2012 The Gernsheim Collection is one of the most important collections of photography in the world. Amassed by the renowned husband-and-wife team of Helmut and Alison Gernsheim between 1945 and 1963, it contains an unparalleled range of images, beginning with the world's earliest-known photograph from nature, made by Joseph Nicéphore Niépce in 1826. The Gernsheim Collection includes some 35,000 major and representative photographs from the nineteenth and twentieth centuries; a research library of some 3,600 books, journals, and published articles; about 250 autographed letters and manuscripts; and more than 200 pieces of early phot...
Fritz Henle
Beyond his mastery of the craft, however, Henle was driven by a lifelong urge "to show people beauty." "I am obsessed," he said, "by showing them beauty."".
Encyclopedia of Nineteenth-Century Photography
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Arnold Newman
A driven perfectionist with inexhaustible curiosity about people, Arnold Newman was one of the twentieth century’s greatest and most prolific photographers. In a career that spanned nearly seven decades and produced many iconic works, Newman became renowned for making “pictures of people” (he objected to the term “portraits”) in the places where they worked and lived—the spaces that were most expressive of their inner lives. Refusing the label of “art photographer,” Newman also accepted magazine and advertising commissions and executed them to the same exacting standards that characterized all of his work. He spent countless hours training aspiring photographers, sharing his ...
Fruit of the Orchard
Outraged by what she saw, Phyllis Glazer founded Mothers Organized to Stop Environmental Sins (MOSES) and worked tirelessly to publicize the problems in Winona. The story was featured in People, the Houston Chronicle magazine, and The Dallas Observer. Phyllis Glazer was voted one of the 20 Most Impressive Texans of 1997 by Texas Monthly because of her work in Winona. The plant finally closed in 1997, citing the negative publicity generated by the group.
Reflection of a Man
Stanley Marcus was known the world over as an innovative marketer and retailer with a refined sense of taste and style whose leadership transformed his family's Dallas clothing store, Neiman Marcus, into a globally recognized arbiter of fashion. However, his refined sensibility was also expressed in a very private passion for photography, shared only with family and close friends. Marcus's daughter Jerrie Marcus Smith and his granddaughter Allison V. Smith celebrate this passion in Reflection of a Man, a representative selection of the thousands of photographs Marcus shot on business trips in Europe, on vacations in Mexico, and during family celebrations. These photographs underscore what we...
Proof
The Byrd Williams Collection at the University of North Texas contains more than 10,000 prints and 300,000 negatives, accumulated by four generations of Texas photographers, all named Byrd Moore Williams. Beginning in the 1880s in Gainesville, the four Byrds photographed customers in their studios, urban landscapes, crime scenes, Pancho Villa’s soldiers, televangelists, and whatever aroused their unpredictable and wide-ranging curiosity. When Byrd IV sat down to choose a selection from this dizzying array, he came face to face with the nature of mortality and memory, his own and his family’s. In some cases these photos are the only evidence remaining that someone lived and breathed on th...
The Upshaws of County Line
Guss, Felix, and Jim Upshaw founded the community of County Line in the 1870s in northwest Nacogdoches County, in deep East Texas. As with hundreds of other relatively autonomous black communities created at that time, the Upshaws sought a safe place to raise their children and create a livelihood during Reconstruction and Jim Crow Texas. In the late 1980s photographer Richard Orton visited County Line for the first time and became aware of a world he did not know existed as a white man. He went down the rabbit hole, so to speak, and met some remarkable people there who changed his life. The more than 50 duotone photographs and text convey the contemporary experience of growing up in a "free...
The Texas Hill Country
Like many Texans, Michael H. Marvins has been making regular pilgrimages to the Hill Country for much of his life. Traveling the back roads of the Texas Hill Country, cameras always poised for action, Marvins has captured the excitement of small-town rodeos, savored the mesquite-smoked atmosphere of local eateries, observed the daily lives of people on the land, and admired the scenic beauty of the landscape and its natural denizens. Most important, he has captured his impressions with the skilled eye of a master photographer. Popular Houston Chronicle columnist Joe Holley opens The Texas Hill Country by highlighting the many qualities that draw Marvins—and so many of the rest of us—to t...
Human, All Too Human
The question of what it means to be human has never before been more difficult and more contested. The human, with a complicated social history that his rarely been examined, remains entrenched in traditional Enlightenment thinking. Human, All Too Human considers how we might radicalize our notion of the human. Can the human be thought outside humanism? Any rethinking of the human places us immediately inside an ever-widening field of contrasting labels: animate and inanimate, natural and artificial, living and dead, organic and mechanistic. These and other boundary confusions at the frontier of the human are the subject of this volume, as each essay takes up one of three disputed border ide...
