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Managing Organizational Deviance
The success of an organization may be dependent on limiting the potential for deviant behavior, and if necessary, reacting to deviant behavior in a positive way. Managing Organizational Deviance goes beyond questions of control to also consider ethical dimensions of conduct. As a result, it teaches students who will go on to inhabit organizations to become familiar with the ethical implications of deviant and dysfunctional behavior in addition to managing this behavior in an effective way.
Acting Jewish
Publisher Description
Electric Sounds
Focuses on the innovations in the electronic production and transmission of sound in the 1920s and '30s and their explosive impact on the American mass media, especially the radio, the phonograph, and the cinema.
Watching Jazz
Watching Jazz: Encounters with Jazz Performance on Screen is the first systematic study of jazz on screen media, covering its role across a plethora of technologies from film and television to recent developments in online media, and featuring the music of such legends as Duke Ellington, Miles Davis, John Coltrane and Pat Metheny.
A Life of Barbara Stanwyck
“860 glittering pages” (Janet Maslin, The New York Times): The first volume of the full-scale astonishing life of one of our greatest screen actresses—her work, her world, her Hollywood through an American century. Frank Capra called her, “The greatest emotional actress the screen has yet known.” Now Victoria Wilson gives us the first volume of the rich, complex life of Barbara Stanwyck, an actress whose career in pictures spanned four decades beginning with the coming of sound (eighty-eight motion pictures) and lasted in television from its infancy in the 1950s through the 1980s. Here is Stanwyck, revealed as the quintessential Brooklyn girl whose family was in fact of old New Eng...
Opera as Soundtrack
Filmmakers' fascination with opera dates back to the silent era but it was not until the late 1980s that critical enquiries into the intersection of opera and cinema began to emerge. Jeongwon Joe focusses primarily on the role of opera as soundtrack by exploring the distinct effects opera produces in film, effects which differ from other types of soundtrack music, such as jazz or symphony. These effects are examined from three perspectives: peculiar qualities of the operatic voice; various properties commonly associated with opera, such as excess, otherness or death; and multifaceted tensions between opera and cinema - for instance, opera as live, embodied, high art and cinema as technologic...
Karl Dane
Karl Dane's life was a Cinderella story gone horribly wrong. The immigrant from Copenhagen was rapidly transformed from a machinist to a Hollywood star after his turn as the tobacco-chewing Slim in The Big Parade in 1925. After that, Dane appeared in more than 40 films with such luminaries as Lillian Gish, John Gilbert and William Haines until development of talkies virtually ruined his career. The most famous casualty of the transition from silent to sound film, Dane reportedly lost his career because of his accent. He was broke and alone at the height of the Depression and committed suicide in 1934.
Future
The history of our attitudes toward the possibilities of tomorrow:“A fascinating trek through American future visions from the 1920s to the present.” —Lori C. Walters, Ph.D., University of Central Florida The future is not a fixed idea but a highly variable one that reflects the values of those who are imagining it. By studying the ways that visionaries imagined the future—particularly that of America—in the past century, much can be learned about the cultural dynamics of the times. In this social history, Lawrence R. Samuel examines the future visions of intellectuals, artists, scientists, businesspeople, and others to tell a chronological story about the history of the future in ...
Jumping the Color Line
From the first synchronized sound films of the late 1920s through the end of World War II, African American music and dance styles were ubiquitous in films. Black performers, however, were marginalized, mostly limited to appearing in "specialty acts" and various types of short films, whereas stardom was reserved for Whites. Jumping the Color Line discusses vernacular jazz dance in film as a focal point of American race relations. Looking at intersections of race, gender, and class, the book examines how the racialized and gendered body in film performs, challenges, and negotiates identities and stereotypes. Arguing for the transformative and subversive potential of jazz dance performance ons...
The First Hollywood Sound Shorts, 1926-1931
This study of early sound shorts begins with an explanation of the development of sound motion pictures in Hollywood by such influential companies as Warner Bros. and Fox, with an emphasis on short subjects, leading up to the first few months when all of the major studios were capable of producing them. The next chapters discuss the impact on other mass entertainments, the development of audible news reels and other non-fiction shorts, as well as the origins of animated sound subjects. A comprehensive list of pre-1932 American-made shorts completes the volume.
