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Dictionary of Pseudonyms
Substantially revised and enlarged, this new edition of the Dictionary of Pseudonyms includes more than 2,000 new entries, bringing the volume's total to approximately 13,000 assumed names, nicknames, stage names, and aliases. The introduction has been entirely rewritten, and many previous entries feature new accompanying details or quoted material. This volume also features a significantly greater number of cross-references than was included in previous editions. Arranged by pseudonym, the entries give the true name, vital dates, country of origin or settlement, and profession. Many entries also include the story behind the person's name change.
The Hawthorn Dictionary of Pseudonyms
"Real names and pen-names, pseudonyms, cognomens, abbreviations, Latinizations, etc., of writers, poets, philosophers, politicians"--On jacket.
The Lost Grove
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Ruben Dario Centennial Studies
Rubén Darío (1867–1916), the undisputed standard-bearer of the Modernist movement in Hispanic letters, was born in Nicaragua. In 1886 he went to Chile, where he published Azul (1888), his first important book of poems and stories. Later he lived for extended periods in Argentina, Spain, and France, and in these countries produced his best work: compelling poems of beauty, style, and dignity, especially Cantos de vida y esperanza (1905). The perfection of form, exotic essences, and rich ornamentation of his earlier work give way in his most mature poems to self-probings and doubts, the anguish so characteristic of twentieth-century literature. But the hedonistic note, the quenchless appetite for life, dominating Azul and Prosas profanas (1896) never die out, and are magnificently present in El poema del otoño (1910). Darío has had a tremendous impact on Hispanic literature. He is one of the best examples of the poet who is true to his art as determined by his innermost impulses. His poetry has fertilized a whole generation of writers in Spanish America and in Spain, and even now his influence continues to be felt.
Beyond Expectations
In Beyond Expectations, Onoso Imoagene delves into the multifaceted identities of second-generation Nigerian adults in the United States and Britain. She argues that they conceive of an alternative notion of "black" identity that differs radically from African American and Black Caribbean notions of "black" in the United States and Britain. Instead of considering themselves in terms of their country of destination alone, second-generation Nigerians define themselves in complicated ways that balance racial status, a diasporic Nigerian ethnicity, a pan-African identity, and identification with fellow immigrants. Based on over 150 interviews, Beyond Expectations seeks to understand how race, ethnicity, and class shape identity and how globalization, transnationalism, and national context inform sense of self.
Falling in Love with Nature
Explores the contours of Latinx Catholic environmentalism Home-based conservationist measures such as cultivating backyard gardens, avoiding consumerism, and limiting waste are widespread among Spanish-speaking Catholics across the United States. Yet these home-based conservationist practices are seldom recognized as “environmental” because they are enacted by working-class immigrant communities and do not conform to the expectations of mainstream environmentalism. In Falling in Love with Nature, Amanda J. Baugh tells the story of American environmentalism through a focus on Spanish-speaking Catholics, shedding light on environmental actors who have been hidden in plain sight. While domi...
20,000 Spanish American Pseudonyms
A compilation of pen names used by writers of Spanish America from the earliest colonial times until the present. Those readers wishing to verify a pseudonym for an author, and those wishing to find more detail regarding the author's use of a particular pseudonym will find 20,000 Spanish American Pseudonyms an invaluable reference tool for beginning their research.
Ariel
"Irritating, insufferable, admirable, stimulating, disappointing Rodó: . . . you are part of our family quarrels, and must bear with your disrespectful, equally disappointed, intuitive, incomplete nephews, living in a world that you helped define for us, and offered unto our revolt." —from the Prologue by Carlos Fuentes First published in 1900 Uruguay, Ariel is Latin America's most famous essay on esthetic and philosophical sensibility, as well as its most discussed treatise on hemispheric relations. Though Rodó protested the interpretation, his allegorical conflict between Ariel, the lover of beauty and truth, and Caliban, the evil spirit of materialism and positivism, has come to be regarded as a metaphor for the conflicts and cultural differences between Latin America and the United States. Generations of statesmen, intellectuals, and literary figures have been formed by this book, either in championing its teachings or in reacting against them. This edition of Ariel, prepared especially with teachers and students in mind, contains a reader's guide to names, places, and important movements, as well as notes and a comprehensive annotated English/Spanish bibliography.
Mexican Americans Across Generations
Studies middle class Mexican American families across three generations and their experiences of racism and assimilation.
