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Ghosts of Berlin
Berlin's hip present comes up against the city's dark past in these seven supernatural tales by the son of the great filmmaker who "shares his father's curious and mordant wit" (The Financial Times). In these hair-raising stories from the celebrated filmmaker and author Rudolph Herzog, millennial Berliners discover that the city is still the home of many unsettled—and deeply unsettling—ghosts. And those ghosts are not very happy about the newcomers. Thus the coddled daughter of a rich tech executive finds herself slowly tormented by the poltergeist of a Weimer-era laborer, and a German intelligence officer confronts a troll wrecking havoc upon the city's unbuilt airport. An undead Nazi sympathizer romances a Greek emigre, while Turkish migrants curse the gentrifiers that have evicted them. Herzog's keen observational eye and acid wit turn modern city stories into deliciously dark satires that ride the knife-edge of suspenseful and terrifying.
Dead Funny
Dead Funny is the first history of humour and jokes directed at the Nazis: from the anti-Nazi theatre scene of the 20s and 30s, to the jokes about Hitler and the Nazis told during WWII, to the cracks told about Hitler in Germany today. It is a fascinating, frightening and ground-breaking history. Author and acclaimed director Rudolph Herzog unveils the unknown tales of the Germans who were imprisoned and executed for telling jokes about Hitler and other Nazi officials. Also documents the regimes attempts to suppress the surprising number of jokes in circulation.
Dead Funny
In Nazi Germany, telling jokes about Hitler could get you killed Hitler and Göring are standing on top of the Berlin radio tower. Hitler says he wants to do something to put a smile on the Berliners’ faces. Göring says, “Why don’t you jump?” When a woman told this joke in Germany in 1943, she was arrested by the Nazis and sentenced to death by guillotine—it didn’t matter that her husband was a good German soldier who died in battle. In this groundbreaking work of history, Rudolph Herzog takes up such stories to show how widespread humor was during the Third Reich. It’s a fascinating and frightening history: from the suppression of the anti-Nazi cabaret scene of the 1930s, to ...
A Short History of Nuclear Folly
In the spirit of Dr. Strangelove and The Atomic Café, a blackly sardonic people’s history of atomic blunders and near-misses revealing the hushed-up and forgotten episodes in which the great powers gambled with catastrophe Rudolph Herzog, the acclaimed author of Dead Funny, presents a devastating account of history’s most irresponsible uses of nuclear technology. From the rarely-discussed nightmare of “Broken Arrows” (40 nuclear weapons lost during the Cold War) to “Operation Plowshare” (a proposal to use nuclear bombs for large engineering projects, such as a the construction of a second Panama Canal using 300 H-Bombs), Herzog focuses in on long-forgotten nuclear projects that ...
Classical Antiquity and the Cinematic Imagination
This book aims to enhance our appreciation of the modernity of the classical cultures and, conversely, of cinema's debt to ancient Greece and Rome. It explores filmic perspectives on the ancient verbal and visual arts and applies what is often referred to as pre-cinema and what Sergei Eisenstein called cinematism: that paintings, statues, and literature anticipate modern visual technologies. The motion of bodies depicted in static arts and the vividness of epic ecphrases point to modern features of storytelling, while Plato's Cave Allegory and Zeno's Arrow Paradox have been related to film exhibition and projection since the early days of cinema. The book additionally demonstrates the extensive influence of antiquity on an age dominated by moving-image media, as with stagings of Odysseus' arrow shot through twelve axes or depictions of the Golden Fleece. Chapters interpret numerous European and American silent and sound films and some television productions and digital videos.
The Concise Cinegraph
This comprehensive guide is an ideal reference work for film specialists and enthusiasts. First published in 1984 but continuously updated ever since, CineGraph is the most authoritative and comprehensive encyclopedia on German-speaking cinema in the German language. This condensed and substantially revised English-language edition makes this important resource available to students and researchers for the first time outside its German context. It offers a representative historical overview through bio-filmographical entries on the main protagonists, from the beginnings to the present day. Included are directors and actors, writers and cameramen, composers and production designers, film theorists and critics, producers and distributors, inventors and manufacturers. An appendix includes short introductory essays on specific periods and movements, such as Early Film, Weimar, Nazi Cinema, DEFA, New German Cinema, and German film since unification, as well as on cinematic developments in Austria and Switzerland. Sections that crossreference names around specific professional groups and themes will prove equally invaluable to researchers.
Lexicon of the Mouth
Expands understandings of voice to and the poetics of gibberish showing how speech is fundamentally shaped by the complex dynamics of the mouth..
Kos Between Hellenism and Rome
Contents: The Historical Interpretation of Segre, I. Cos, ED 229 & the Perils of Koan Security & Free Status from the 2nd Cretan War (ca. 155-153 B.C.) to the Aftermath of the First Mithridatic War (89-55 B.C.); The Evidence of the "Lex Fonteia" (Crawford, RS, 36) & the Period of M. Antonius: Nikias' Coins, Inscriptions, Personality & "Tyranny"; Notes on C. Stertinius Xenophon's Roman Career, Family, Titulature & Official Integration into Koan Civic Life & Society; M. Aelius Sabinianus: Titulature & Public Position on Kos, Profession, Date & Connections: M'. Spedius Rufinus Phaedrus & the Koan Spedii; Fluctuations of Favour: Towards a Recon'n. of the Course of Koan Relations with Rome & the Status of the Island from Mithridates to Late Antiquity. Biblio.
The Twilight World
“A potent, vaporous fever dream; a meditation on truth, lie, illusion, and time that floats like an aromatic haze through Herzog’s vivid reconstruction of Onoda’s war.” —The New York Times Book Review The national bestseller by the great filmmaker Werner Herzog. The great filmmaker Werner Herzog, in his first novel, tells the incredible story of Hiroo Onoda, a Japanese soldier who defended a small island in the Philippines for twenty-nine years after the end of World War II In 1997, Werner Herzog was in Tokyo to direct an opera. His hosts asked him, Whom would you like to meet? He replied instantly: Hiroo Onoda. Onoda was a former soldier famous for having quixotically defended an ...
Conquest of the Useless
“Hypnotic….It is ever tempting to try to fathom his restless spirit and his determination to challenge fate.” —Janet Maslin, New York Times Werner Herzog (Grizzly Man) is one of the most revered and enigmatic filmmakers of our time, and Fitzcarraldo is one of his most honored and admired films. More than just Herzog’s journal of the making of the monumental, problematical motion picture, which involved, among other things, major cast changes and reshoots, and the hauling (without the use of special effects) of a 360-ton steamship over a mountain , Conquest of the Useless is a work of art unto itself, an Amazonian fever dream that emerged from the delirium of the jungle. With fascinating observations about crew and players—including Herzog’s lead, the somewhat demented internationally renowned star Klaus Kinski—and breathtaking insights into the filmmaking process that are uniquely Werner Herzog, Conquest of the Useless is an eye-opening look into the mind of a cinematic master.
