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Previously unpublished new projects are thematically integrated into the evolution of Baur's oeuvre. The book thus reveals a conceptual and design constant, or even fascination, in the work of Ruedi Baur. Thus the book reveals a conceptual and design constant, or even fascination, in the work of Ruedi Baur. Five years after the success of Ruedi Baur, Integral et associ s, the author takes stock and manifests the principles of his design work and attitude. Five years after the success of Ruedi Baur Integral et associ s, the author takes stock and manifests the principles of his design work and attitude.
Area_2is the second volume in the graphics version of Phaidon's award-winning series of curated compendiums, which includes Cream, Fresh Cream, Blink, 10x10, 10x10_2, and Spoon. Covering all manifestations of printed graphics created by the world's most visionary designers, Area_2 presents the posters, books, magazines, typography, packaging, and ephemera that has influenced visual culture over the past five years.
Making exhibitions is a collaborative art, producing is a multi-layered unity of ideas and objects, of invention and manifestation, of content and form. However, there is an antagonistic dimension to it, because content and form are traditionally represented by the entirely different realms of curator and designer. Future successful developments in exhibition-making are dependent on whether this gap of antagonism can be bridged. space.time.narrative calls for a paradigmatic shift of focus. It puts forward a unique approach, breaking down traditional barriers and offering a wide-ranging theoretical context, redefining and expanding the parameters and the dynamics of the exhibition-format in t...
In a globalized world, Asian, Latin and Arabic characters and visual cultures appear side by side and woven together. The coexistence of different visual cultures is now part of our daily lives and a given feature of our communication systems. But how do we best present information, structures and designs from different linguistic and cultural backgrounds? Visual communication has classically been guided by principles of uniformity and simplification, values that seem unable to adequately cope with the coexistence of different systems of representation. How can we set up equitable systems for cross-cultural communication that honor the diversity of writing systems? What new design values are...
360 witty, inspiring and thought-provoking questions on design
This study tests the potential of a facilitated action-research approach in participative urban design projects to act as catalysts in countering social violence in distressed quarters of France. It evaluates the FAR programme (Formation Action Recherche pour la coproduction et gestion des espaces publics) in the region Nord – Pas de Calais as a local strategy for achieving the national objectives of social reform – as envisioned by President Mitterand and encapsulated in the national Politique de la Ville. Significantly, this study identifies the critical importance of positive political will at all levels in achieving the goals of the Politique de la Ville, and it provides a possible explanation for the failure of previous attempts to engage residents effectively. It also indicates possible future strategies for planning participative projects where they are intended to promote integrated social, urban and economic development.
Please Don't Brand My Public Space is a critical investigation of the visual strategies employed to identify and brand political spaces. Isn't it about time to look at their often banal images as part of a crisis of political representation? Contributions on the theme by political scientists, designers, and sociologists make reference to the three visual essays that are at the heart of the book: -The Noticeable Absence of a Flag of the Earth- by Ruedi Baur, -Depictions of Federalism and Nationalism: Comparing Former Yugoslavia, Switzerland, and Belgium- by Irena Bockaj, and -European Capitals in Competition- by Maria Roskowska.
Urban-Think Tank (U-TT) ist eine interdisziplinäre Designagentur, die aus der politisch instabilen Lage Caracas’ zu Zeiten der Chávez-Ära hervorging und seit gut 20 Jahren Projekte in Lateinamerika, Europa und Afrika verwirklicht. Durch seine vielschichtige Arbeit nahm das Unternehmen Ende der 1990er-Jahre die Vorreiterrolle einer sozialen Wende in der Architektur ein; mit stadtplanerischen Interventionen, die den sozialen Zusammenhalt in den Metropolen auf der südlichen Halbkugel und in den wachsenden Städten Europas stärkten. Zudem produzierte U-TT zahlreiche Medienprojekte, die Film, Theater, Ausstellungen und Druckarbeiten für sich nutzen, um neue diskursive Räume zu schaffen und die Frage aufzuwerfen, wie und für wen unsere Städte entwickelt sind. Die wohl bekannteste Arbeit entstand über das Torre-de-David-Hochhaus, die auf der Architekturbiennale von Venedig 2012 mit dem Goldenen Löwen ausgezeichnet wurde. Dieses Buch blickt jedoch nicht nur zurück, sondern auch nach vorn, ersinnt neue Räume für eine hyper-urbanisierte Welt und ermöglicht Einblicke in informelle Siedlungen, räumliche Spielflächen und künstlerische Interventionen im öffentlichen Raum.
Interdisciplinary work at the gateway to design